Tangled and textured, the paintings of Howard Sherman assert a relentless pace of movement, churning through space with electric momentum. In the reach of brash color, swirling shapes and juxtaposed surfaces, a kind of certainty escapes from the turbulent surfaces of each piece. While frenetic in pace, these pieces do not necessarily incite anxiety, but rather introduce the possibility of peace in the inevitability of constant transformation.
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“The Chronically Aggrieved And The Super Touchy”
Acrylic, Canvas and Marker
100(v) x 80(h) inches
“Whirling In It’s Own Feedback Loop”
Acrylic, Canvas and Marker
Whir Of The Big Machine #5″
12(v) X 9(h) inches
acrylic and marker on acid free paper
Since receiving his Masters of Fine Arts in Painting and Drawing from the University of North Texas in 2006, Howard Sherman has been leading a new generation of bombastic contemporary painters in the Texas art world. Sherman’s typically human-scale canvases carry traces of his background in cartooning, offsetting the loud, raw power of his aggressive paint strokes with a playful sense of humor. His smaller works on paper show an intuitive use of material in a distilled yet assertive manner.
The large paintings facilitate the immense physicality within Sherman’s work, while leaving space for his keen sense of formal resolution. The frenetic and muscular heft of the work is balanced with a measured precision and a thoughtful integration of a number of art historical styles. Sherman’s cartoonish figuration complements his bold use of abstract mark making, embedding into the canvases what could be read as portraits, punch lines or poems. He is constantly refining his visual and conceptual vocabulary, experimenting with sculptural surfaces and collage.
Only two years after completing his M.F.A., Sherman was featured in a solo traveling exhibition originating at the Art Museum of Southeast Texas. His work is in several museum collections and is on permanent display at Bush Intercontinental Airport in Houston, Texas. Sherman has been profiled several times in New American Paintings, his work appears in the 2010 book Texas Artists Today and has been chosen for the cover of the recently released art history book Texas.
Abstract:Modern/Contemporary by Michael Paglia and Jim Edwards. Rice University is now collecting his personal artifacts for their research center. He has been awarded residencies at the Virginia Center for Creative Arts, School of Visual Arts, the McColl Center for Visual Art, Vermont Studio Center, Jentel Artist Residency Program and the Helene Wurlitzer Foundation. Sherman has been in a number of solo exhibitions across the United States, and his work has been featured in group exhibitions in Texas, California, New York, Florida, Spain, India, and Peru.