Collector’s Choice: Sigal Ron


 

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Sigal Ron

“I see myself as an abstract painter who enjoys freedom of expression.
However, we are all like ‘ swallows sitting on the wire of tradition,’ so from time to time I sin by creating objective art for feeling a communication with a greater public.  I adore every manifestation of visual art and enjoy crossing over and going back with the passion of a child who has gotten a new toy. I am grateful for every moment I can paint.”

Written by Zichron Jaacov Israel

 

 

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Sigal Ron is a painter who walks the fine line between completely non-objective painting and figurative painting with equal ease and grace. She  commands both sides of that artistic differentiation with prowess and inevitability.  Her non-objective paintings rush at us with volumes of hurtling textures, colors and glimmering light. Her figurative works walk with prowess all the way from realistic representation through graphic depiction to sighs of abbreviated yet essential abstractions. Her painterly touch is comprised of deft command, searing insight and relentlessly well timed orchestration. Bravo Sigal Ron! My hat is off to you!

Jan Kirstein

 

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Recent Exhibitions:

“GilArte” Gallery —Zichron Jaacov 2011

“Gam Gallery”—Tel Aviv 2011

“Gebo” Gallery—Tel Aviv 2012

International Exhibition of Art –Matera- Italy 2015

2nd International Bienalle of Art in Palermo 2014

4 International Abstract exhibition in Moscow 2015

2015 – Moscow “Gold collection of Abstract

Bienalle of Drawing Osten Museum – Skopje 2016

Museo Palazzo Farnese-International Exhibitin of Contemporary Art Juni 2016

Art for Peace- Museo Palazzo Farnese Ortona. Italy 2016

Gallery of Contemporary Art-Kazan-Russia

Juni 2016

Poligious Issues-Schiedam-Netherlands 2017

 

 

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Milica Reinhart-Tesankic


 

 

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Milica Reinhart-Tešankić is a Croatian artist whose work inspires with its bold movement, invigorating gestures and saturated color. You can find more about this artist on this link:

https://www.facebook.com/

 

The largeness of scale combined with the rough, expressive application of thick color heightens the impact of these powerful paintings at first glance, and leaves a lingering afterimage both haunting and certain.

 

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Prayers for the People of Syria


Requiem for Syria

Tonight I pray that all of your families will find love, peace, joy and justice in their lives despite the many tragic losses suffered in the war torn country. Of Syria.  With great gratitude, I ask for the emanation of abundant blessings to enfold and comfort all of your families within this ever changing Life on Earth.

I give thanks for the lives of all who have passed into the arms and heart of Glory on High. May the angels of heaven wrap you in their wings of love and solace on these most holy nights of faithful vision and may the bounty of The Universe’s love and protection provide a flame of eternal hope throughout this time of sorrow and darkness for your blessed families.

Amen

Prayer by Janis Kirstein, U.S.A.

 

To enlarge these paintings please click on the thumbnails.

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Paintings to Honor the Sojourn of the Syrian Refugees April 7, 2017

I have created these paintings to honor those who have suffered loss of life, home or loved ones through the egregious misfortune of war in Syria.

The first two paintings present my hope and vision for all victims of this deadly war exhuming the Syrian countryside. The next four paintings reveal the fire and destruction endured by the exodus of people from Syria and celebrate the spirit of all who have survived and persevered throughout all of their many horrific challenges.

These paintings are mixed media on masonite blocks. Each painting is 8″ x 10.”

 


Three years ago, I tried to raise awareness of the atrocities of chemical warfare in Syria of the Assad regime on his own people. At that time I attempted to raise money through Hatchfund so I could create these works on a large scale.

I want to thank all who contributed and donated money to this cause that I started called “”Sojourn Empathies” to raise awareness of the refugees from war torn countries and their life experiences, specifically of the victims of Syrian women and children killed by chemical attacks in Syria by the Assad regime. Unfortunately I was not able to raise enough money for larger works and traveling exhibitions, but I was able to paint these small works as a testimony to the empathy of the American people.

At that this time three years ago, I received word of the use of chemical weapons used by the Assad regime on his own people including women and small children.  I also accessed the tangible evidence of many extremely graphic photographs of chemical war victims by the Assad government in Syria including women, and very small children, and the dozens of body bags that lined cold cement floors in basement bunkers as a result of this horrid brutality. These photos were all marked with the copyright notices of the United States Marines.

After seeing these photographs, I was inspired to raise the awareness of the American people of these atrocities occurring in Syria.

Though I was never able to raise the money for creating these larger art works, I still hold the suffering of the Syrians in my heart and mind, especially with the most recent occurrence of chemical weapons used in Syria by Assad.
Today I would like to share these images with you that express my empathy for the people of Syria at this time and the perilous journey of both the survivors as well as those who have passed to a realm of peace and glory.
Now after three years, I feel even more compelled to get these paintings out to the world to elicit compassion and empathy for these refugees.

My project was called “Sojourn Empathies.” It was my desire that people will come to realize the suffering of these people with everything they have been through and will understand that we must embrace their lives and experiences with compassion and empathy.

I am so eternally grateful for the donations I received from Abby Lane, Jan Arnow, Bob Abrams, Johanna Boz, Ada Assenjo, Jane Larsen Wigger, Lauren Hill and Myrl Kirstein. The funds I was trying to reach with a Hatchfund Challenge was  2,000.00 though I didn’t make my goal, I was so grateful to my supporters and so determined to support this cause that I created these small paintings anyway.

Writing and painting by Jan Kirstein

To see these paintings as framed prints, mounted metal prints, stretched canvas prints and other useful items on Fineartamerca, click here.

 

 

 

 

Collector’s Choice: Jane Davies’ New Exhibion


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Submerge yourself into a sea of dynamic visual poetry by abstract painting master Jane Davies. In Janes’s paintings, the world is true to nature in form and integrity. Images embrace the viewer with harmonious discourse of color, shape, line, texture and pattern, all orchestrated with an instinctual genius for proportion, movement and intuitive balance.

Take some time  to pull yourself away from today’s political world upheavals if only for a few moments. Change the scenery. Replace your television  with  these paintings by Jane Davies.

Change your life by changing your scenery .  Gaze at these amazing paintings. Change the world by changing the scenery in front of your eyes. You can change the world, beginning with your own world. And that is always the best place to start.

Let these paintings enter your vision and dance in your soul.

Written by Jan Kirstein, Painter

 

 

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Edgewater Gallery: “I have new framed pieces up at Edgewater Gallery in Middlebury, VT.,” says Jane Davies. “If you’re in the area I hope you’ll stop by. You can also purchase from their website, Take a look.

 

 

 

 

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JANE DAVIES
PAINTING + MIXED MEDIA
ARTIST STATEMENT

Formal elements are my first and foremost source of inspiration. I can be moved by a simple combination of color and line, or the relationships of shapes and edges, or the interplay between pattern and scale. I look at colors, textures and images out in the world as well: rocks, rust, surfaces affected by age, by marks of the human hand, by time and tides. But I also look at a lot of art in many mediums, and gorge myself on the infinite ways in which materials can be transformed into rich and expressive visual statements.
In my own art practice, focus on process is an essential component of developing work that feels authentic and personal. My process involves a back-and-forth play between spontaneous, intuitive mark-making, and careful deliberation and intention: I think of it as letting things happen, and making things happen. I make a move, and then the painting reveals something new to respond to. Each move changes the whole piece and sets up a new set of challenges. It takes practice and continued effort to stay present to this dialog and not get carried away by the desire for a quick result or an easy resolution. It requires trust in my own intuitive responses, and a willingness to not-know, to not have the route laid out like a road map.

 

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http://edgewatergallery.co/artists/jane-davies/

 

Visit Jane’s website:  http://www.janedaviesartgallery.com

 

Coming soon by Jane Davies:
New 100 Drawings: Starting October 4, 2017 – 10 interactive sessions online, find out more and register here.

 

 

 

On a more politically proactive note….Pink Postcards

 

 

 

 

 

 

Thanks for viewing  the .KIRSTEINFINEART BLOG

 

True Inspiration: Helen Frankenthaler


 

To honor and support the Women’s March in Washington D.C. this week, I am would like to give tribute to some of my fav painters who have inspired me for a lifetime. Today it’s Helen Frankenthaler.

 

 

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Helen Frankenthaler, Europa, 1957, Oil on unsized, unprimed canvas, 70 x 54 1/2 x 2 inches (177.8 x 138.43 x 5.08 cm) © 2016 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York.
Abstract Expressionism
Royal Academy of Arts
September 24, 2016 – January 2, 2017
This long-awaited exhibition reveals the full breadth of a movement that will forever be associated with the boundless creative energy of 1950s New York.

Traveling to:
Guggenheim Museum Bilbao, Spain
February 03, 2017 – June 04, 2017

 

Hartung and Lyrical Painters
Fonds Hélène & Édouard Leclerc pour la Culture, Landerneau, France
December 11, 2016 – April 17, 2017
The exhibition positions the work of Hans Hartung with artists of the 1950’s such as Georges Mathieu, Gérard Schneider, Hantaï, and international artists from subsequent decades, including Helen Frankenthaler.

 

Women of Abstract Expressionism
The Mint Museum, Charlotte, NC
October 22, 2016 – January 22, 2017
The groundbreaking exhibition Women of Abstract Expressionism celebrates the often unknown female artists of this mid-twentieth century art movement.

Traveling to:
Palm Springs Art Museum, CA
February 18, 2017 – May 28, 2017

Originated:
Denver Art Museum, CO
June 12 – September 25, 2016

 

 

 

 

 

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A Little Plug for my Justice Collection by Janis Kirstein. To see more click here.

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Collector’s Choice: Jean Michel Basquiat


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QUICK FACTS

NAME
Jean-Michel Basquiat
OCCUPATION
Painter
BIRTH DATE
December 22, 1960
DEATH DATE
August 12, 1988
PLACE OF BIRTH
Brooklyn, New York
PLACE OF DEATH
New York, New York
NICKNAME
“SAMO”

Jean-Michel Basquiat was a Neo-Expressionist painter in the 1980s. He is best known for his primitive style and his collaboration with pop artist Andy Warhol.

Synopsis

Jean-Michel Basquiat was born on December 22, 1960, in Brooklyn, New York. He first attracted attention for his graffiti under the name “SAMO” in New York City. He sold sweatshirts and postcards featuring his artwork on the streets before his painting career took off. He collaborated with Andy Warhol in the mid-1980s, which resulted in a show of their work. Basquiat died on August 12, 1988, in New York City.

 

Early Years

Artist Jean-Michel Basquiat was born in Brooklyn, New York, on December 22, 1960. With a Haitian-American father and a Puerto Rican mother, Basquiat’s diverse cultural heritage was one of his many sources of inspiration.

A self-taught artist, Basquiat began drawing at an early age on sheets of paper his father, an accountant, brought home from the office. As he delved deeper into his creative side, his mother strongly encouraged to pursue artistic talents.

Basquiat first attracted attention for his graffiti in New York City in the late 1970s, under the name “SAMO.” Working with a close friend, he tagged subway trains and Manhattan buildings with cryptic aphorisms.

In 1977, Basquiat quit high school a year before he was slated to graduate. To make ends meet, he sold sweatshirts and postcards featuring his artwork on the streets of his native New York.

Commercial Success

Three years of struggle gave way to fame in 1980, when his work was featured in a group show. His work and style received critical acclaim for the fusion of words, symbols, stick figures, and animals. Soon, his paintings came to be adored by an art loving public that had no problem paying as much as $50,000 for a Basquiat original.

His rise coincided with the emergence of a new art movement, Neo-Expressionism, ushering in a wave of new, young and experimental artists that included Julian Schnabel and Susan Rothenberg.

In the mid 1980s, Basquiat collaborated with famed pop artist Andy Warhol, which resulted in a show of their work that featured a series of corporate logos and cartoon characters.

On his own, Basquiat continued to exhibit around the country and the world. In 1986, he traveled to Africa for a show in Abidjan, Ivory Coast. That same year, the 25-year-old exhibited nearly 60 paintings at the Kestner-Gesellschaft Gallery in Hanover, Germany—becoming the youngest artist to ever showcase his work there.

Personal Problems

As his popularity soared, so did Basquiat’s personal problems. By the mid-1980s, friends became increasingly concerned by his excessive drug use. He became paranoid and isolated himself from the world around him for long stretches. Desperate to kick a heroin addiction, he left New York for Hawaii in 1988, returning a few months later and claiming to be sober.

Sadly, he wasn’t. Basquiat died of a drug overdose on August 12, 1988, in New York City. He was 27 years old. Although his art career was brief, Jean-Michel Basquiat has been credited with bringing the African-American and Latino experience in the elite art world.

Jean-Michel Basquiat Biography
Author

Biography.com Editors
Website Name

http://www.biography.com/people/jean-michel-basquiat-185851

 

 

 

Collector’s Choice: Coffee or Tea?


Sitting in front of your favorite friend/painting/window/window enjoying a nice warm cup of coffee, or tea? Take time during this festive season to relax and reconnect.

These coffee mugs present a group of November and December fine art collages by Janis KIRSTEIN.Click  here to shop for a mug, prints, pillows, duvet covers or other designer accessories. Holiday gifts for all your unique and special friends….check it out!

Collector’s Choice: Helen Frankenthaler


“Jacob’s Ladder” by Helen Frankenthaler

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Although this painting shares a name with the biblical tale of Jacob’s dreamed ascent toward heaven, and also with an ancient Egyptian toy, Frankenthaler insisted this work had no illustrational intention: “The picture developed (bit by bit while I was working on it) into shapes symbolic of an exuberant figure and ladder, therefore Jacob’s Ladder.

Working in New York in the 1950s, Frankenthaler painted large-scale unprimed canvases on the floor to explore new ways of handling distinctively thinned paint. The artist said she borrowed from Jackson Pollock her “concern with line, fluid line, calligraphy, and … experiments with line not as line but as shape.”

 

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Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Wikipedia
Died: December 27, 2011, Darien, CT
Spouse: Stephen M. DuBrul Jr. (m. 1994–2011), Robert Motherwell (m. 1958–1971)
Periods: Lyrical abstraction, Post-painterly abstraction, Color Field, Modern art, Abstract expressionism

The Raven Collage – Mixed Media Collage —


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Originally posted on M.E. Ologeanu – artworks: buy art on ebay The Raven Collage – Mixed Media Collage

via The Raven Collage – Mixed Media Collage — KIRSTEINFINEART

 

Robert Ronnow  

Under Mummy Mountain

Aspen, ponderosa pine, blue spruce
pink glacier-cut rock, scree, ravens
gray jay, peregrine falcon, hawk.

We climb to 11,000 feet in three days,
camp at Lawn Lake for three days. Alpine
tundra. Elk, bighorn sheep, marmot.

Tileston Meadows, ticks in grass,
rock face of Mummy Mountain.
Binoculars show pink cracks in gray rock.

Stoke gas stoves, play cards.
Boil water, set up tarps, lay out
sleeping bags, hang bear bag.

Watch crescent moon slice into
Fairchild Mountain. Moonlight
makes a mosque of the rocks.

Yellow aspen splash in dark green
spruce and pine. Gullies where streams
slash during spring snowmelt.

One rock, feather or flower worth
more than money. Need no wallet,
keys. Just clothes for fur.

All day climb toward saddle to see
what’s on other side. One hawk floating
among bare peaks and over valleys.

Wind at 13,000 feet
turns to sleet. Turn back from peak,
take boulders two at a time down.

Winter moves into mountains.
Then we fly from Denver to New York
where it’s still summer.

 

Savage Peril: Ode to Our Earth


 

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Torn from our roots
The chaos ensues.

Broken from family
The surface unravels

From this revealed,
A new life emerges.

See the next forms
To sustain a new life.

Make art from chaos.
This is your life.

Poem and art  by Janis Kirstein

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