Hildy Maze Makes Mind Moves


Light Space & Time Online Art Gallery is very pleased to announce that Hildy Maze has been selected as one of the four artists of the gallery’s recent eighth “Solo Art Series” Art Competition.

 

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Hildy will now have a month-long solo art exhibition and she will be featured on the gallery’s front page, in the Gallery’s YouTube Channel, as well as in the “Solo Art Series” archive. See links below to access.

 

Artist Biography:

Hildy Maze is an American artist with Turkish, Russian, Austrian heritage. Born in Brooklyn, NY she received a BFA from Pratt Institute. For years, Hildy lived and worked in her loft in Tribeca, NYC before moving to East Hampton, NY where she currently works and lives.

Hildy is best known for her abstract contemplative oil on paper drawing, painting collages. In her messy paradise, which is her studio, Hildy explores mind and identity. Though her process of collage and the handling of materials she intimately describes how our active mind creates collages of thoughts and patterns, as in a dream. If we examine our thoughts, we can see they are fragmented pieces, empty of solidity. “None of us can avoid thoughts” she says, “but through awareness of our pitfalls, beauty, strengths, and weaknesses we can open windows into the mind”. The core of her contemplative art practice is to visually embody the blind spots as a result of our thoughts.

She is interested in the study of how the mind works as a means of gaining insight into how we communicate, how we create identity through form, emotions, and consciousness, and how we hide in that creation. She explains that essentially this work is about all of us and the empty, clear and unconditional nature of the mind we all have. When we know the nature of our mind we will know the nature of our world.

Hildy’s work is influenced by her long-time study and practice of Tibetan Buddhist meditation with Chogyam Trungpa Rinpoche. Her studio floor is covered with a vast tapestry of painted paper—ripped, aged, and often walked on for days or months. This, she says allows the process and rhythm of art-making to come more alive with spontaneity and unpredictability. Her work has a rugged, earthy, hands-on, living quality. The treatment of the paper lends to it an inherent living quality. Depending on the passing of time and light, it takes on various characteristics and a quality of accelerated impermanence as the paper ages and becomes fragile, not unlike those things we search for and cherish in an attic or basement, or even at an archeological site, or when retrieving a lost memory. An otherwise ordinary, insignificant quality becomes special. A fingerprint, wrinkle, rip, drip, or tear becomes texture and language. These abstract contemplative works were developed with the view that art has the capacity to infuse our experience with awareness of our inherent nature, and, along with their carefully chosen titles, invite viewers to move beyond the boundaries of the image into a more contemplative consideration of mind in relationship to the phenomena of what we consider objective reality.

An additional activity that informs Hildy’s work is her familiar, family-like relationship with a colony of Herring and Great Black-Backed Gulls she’s been feeding hard-boiled eggs to for 20 years at Maidstone Beach Bay. She says, “We know each other well, perching on my head and shoulders, surrounding me as if protecting the bounty they know I have for them. This ritual is filled with a sense of an intimacy with wildness. I’ve learned who is mated to who, each gull’s idiosyncrasies, who their chicks are, when they arrive at the bay in August, how they physically change from white to speckled depending on the mating cycle and season’s light and so much more”. Eventually, she would like to develop an installation called “lover of the open sky” based on this relationship with the gulls.

Hildy has exhibited her work throughout the U.S. including NYC, Long Island City, Brooklyn, California, and Beijing, China. She has won numerous awards and is in several private collections in the U.S, Europe and Asia.

Hildy lives in East Hampton, NY continuing with her study and practice of meditation, making art, and feeding the gulls whenever the weather allows.

 

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Artist Statement:

Years ago, a friend sent me the Prajnaparamita, known as the Heart Sutra based on realizing the non-conceptual simplicity of reality, “form is emptiness, emptiness is form”. Having a heightened interest about how mind works and how mind is, reading the Heart Sutra changed my life on the spot! Within a week I was practicing and studying Tibetan Buddhist meditation with Chogyam Trungpa Rinpoche, a Tibetan Buddhist meditation master and artist. I received ‘pointing out instructions’ from him which brings the investigation and recognition of mind’s flawless nature into personal experience cutting through conceptual obscurations that are our endless, dualistic thoughts and emotions.

My abstract contemplative work is completely informed by these realizations. My path of making visual images became the inner structure of mind and how its’ patterns of confusion obscure our recognition of this vast space of ceaseless energy. For ten years I studied and practiced meditation with Trungpa Rinpoche until his death in1987. Since that time my work has gone through a process of increased familiarity with how mind works and how to present that familiarity thru visual images.

The development of each piece is experiential using collaged drawing and painting on paper with disparate techniques and specific titles discussing how mind, when active, creates collages of emotional thought patterns, like in a dream. The images are intended to be intimate, yet not isolated since the activity of mind is the same for everyone yet personal because each of us is affected by our thoughts and emotions differently. The work is unrefined with an immediate, handmade, unprepared quality, working with the ordinary characteristics of the paper meaning rips, wrinkles, aging, fragile-ness and light sensitivity. A sense of impermanence representing our life progression.

My process is filled with discovery and surprise, playing an edge within myself with deliberateness and imperfection without conceptualization, trusting mind’s innate clarity. For me, oil on paper collage is the most responsive way to investigate the mind. Whether awake or dreaming, mind is like a collage, appearing as countless variations of thoughts and images, as an over-lapping unfinished aesthetic that embraces the unresolved, open-ended imperfections of living. Viewing mind and collage this way contributes to the hands-on realness of intimacy and immediacy of seemingly non-sequitur abstraction with a touch of representational expression.

 

I recall instructions from Trungpa Rinpoche, ‘art arises from a deep merging of mind and heart, seeing from within, drawing from pure awareness without visually grasping, beginning from uncertainty without reference point’. Drawing freely without visual judgment; spontaneous and personal, I use tools and techniques that are intimate and varied, anything that can make a mark with controlled spontaneity. I would like the images and titles to create an accessible, personal space, like hearing a familiar voice. The images can be viewed as individually framed pieces, or informally, closer to how they were made, simply pinned to the wall, or randomly together similar to how our thoughts arise, dwell and dissolve in a seemingly continuous, often unrelated stream. .

Essentially I view my work as an evolving inquiry. I continue to live, make art, and to study the principles of Buddhist contemplative philosophy, a pursuit not unlike cleaning the dust off the windows in a house in order to see the world and oneself more clearly and precisely, with less aggression and with more equanimity, kindness and humor. To view more of Hildy’s artworks visit her website;

 

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http://hildymaze.com

 

Check out this Fab video Presentation of Hildy’s work.

You Tube Presentation

 

Here are individual images of Hildy’s work.

https://www.lightspacetime.art/hildy-maze-solo-art-exhibition/

Many thanks to the Light Space Gallery for this story and images.    

Light and Space GalleryLight and Space Gallery

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The Painting Journey Continues


Our painting Journey Continues with Nancy Hillis’ Studio Journey online abstract painting workshop. Her assignments help free up your expressive inspirations through exploration and self confidence. Growth emerges through experimentation. My own personal journey has opened up possibilities far beyond what I faced even weeks ago. Thanks Nancy!

Painting in a Series

Permission to Create Continues the Journey


Painting and sharing in the new web site format Studio Journey, with our artist guide Nancy Hillis, brings the fulfillment of granting the permission to create, for many knowledgeable painters from all over the world. Nancy Hillis is an inspiring painter, teacher and medical doctor who brings us all together through the website to share her projects, resulting in the creation of art work and feedback from one another.

Thank you Nancy for leading our inspiring journey, which has just begun.

Jan Kirstein

Photo courtesy of Pascal

Check out her website to see more about Nancy and her Art Journey at https://nancyhillis.com

As a beginning, our first intention was to work in a series, encouraging experimentation within a framework of self imposed limitations. Some artists chose limited color range, some chose exploring art mark making. An amazing outpouring of creative production rose from this first task, generating a wide range of very well informed results. I hope to share some of these with you after I gain artist permission for the use of their works in my blog.

For now, I share with you the paintings I have created on this Journey so far. I lost my studio about a month ago and this program gave me the impetus to resume painting again. For that, I am indeed very grateful.

The artist’s hand.

Paintings in Memory of the Homeless


I share a studio with two other artists in Louisville Kentucky. We just recently had a very sad encounter with reality in the form of a homeless man who lingered constantly around our studio door. The story around this man unfolded in a series of tragic vinyetts leaving us all with a renewed awareness of the fact that the problems facing the homeless are, in fact, everyone’s problem.




 





Just posted! Latest Paintings by Janis Kirstein






These paintings and more can be purchased at https://kirsteinfineart.myshopify.com




Teri Dryden: Collages to Die For


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For years in Louisville, I saw the collages of Teri Dryden, and was riveted by her uncanny ability to place together every piece of torn paper to create a perfectly unified field of incongruent, yet visually connected torn scraps. Her collages vibrate with decisively placed color and shape. Symphonies of seemingly random, yet innately balanced pieces of torn edges, rough contrasting pigments and typography sing a hallelujah chorus of undeniable strength and boldness.

 

Janis Kirstein

 

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“i plunge into each piece of work as if it were an adventure into the unknown. with no specific outcome in mind, i respond to the changes in the picture as i explore and interact with materials by layering paint and paper, scratching, sanding and marking, creating open spaces, altering and adjusting,” Teri says.

 

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“i move between intuition and logic; chaos and order. being aware and open, taking risks with the materials, as well as the struggle itself allows me to be in the moment to reflect and interpret a history that evolves on the canvas before my eyes.

 

 

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Teri Dryden’s unorthodox path to becoming an artist began with immersion in an ancient art form in which she, herself was the medium. A theatre major at Towson University in Baltimore, Maryland, she excelled in physical expression and comedy. At the urging of an instructor, she auditioned and won a coveted spot as one of the few female clowns in the Ringling Brothers’ Barnum and Bailey Circus. For two unforgettable years, she performed in every state in the U.S. in one of the most colorful and visually stimulating environments imaginable.

 

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She then moved to Los Angeles and became an award-winning stage actress, but left the stage when her first child was born. After making beautiful fiber art for several years, Teri decided to take an art class, and discovered a latent talent and passion for painting and drawing. During a remarkably short and prolific period, she won several awards and sold dozens of paintings and drawings to rapt fans who recognized her unique sense of composition and color in dramatic florals and still-lives. She feels she has found her true aesthetic after discovering the fascinating world of mixed media and collage.

 

 

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She is a member of the collage artists of America, National Collage Society and Women Painters West. Her work is included in many private and public collections and has been exhibited in numerous solo, group and juried exhibitions across the country.

 

 

Justice: You Know You Want It!


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The Justice Collection gives you a way to speak your truth, with the bold statement of a Chinese Character representing the word Justice. Speak your truth in a variety of ways, with coffee/tea mugs, tshirts, dresses, tops, shower curtains, duvet covers, and more. I invite you to find all these items in my new Shopify store:

 

http://kirsteinfineart.myshopify.com

 

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Click on thumbnails to enlarge.

 

 

 

 

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