Miguel Velit and His Completed Sculpture


 

 

Here’s Miguel Velit, in triumph before the sculpture he completed  at the beginning of August at Josephine Sculpture Park in Frankfort, Kentucky where he was a guest artist.

 

 

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Miguel Velit is a Sculptor from Lima, Peru. His sculptures include a whimsical but powerful exploration of dynamic space. I have known him since our days together at Vermont Studio  in Johnson Vermont and his work has always been a testimonial to the relentless pursuit of art and its ability to influence and alter the world.

 

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This Summer, he was  in residence at the nearby Josephine Sculpture Park in Frankfort, Kentucky as a guest artist where he was working on a variety of large metal sculptures from scrap metal gathered from local metal scrap metal yards. He has completed his sculpture and I have included photos of the results.

 

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Miguel has built sculptures all over the world for a variety of parks, interior and exterior spaces. Countries where his work is on exhibit include China, Poland, the United States, Argentina, Mexico and of course, his beloved hometown Lima, Peru.

 

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Embracing a vigorous investigation of building materials and spatial explorations, Miguel builds sculptures that are arrestingly confident, playful and memorable.

 

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Kentucky was honored to host Miguel as he continues his lifelong  artistic quest.

 

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Collector’s Choice: Miguel Velit of Lima, Peru


Miquel Velit is a Sculptor from Lima, Peru. His sculptures include a whimsical but powerful exploration of dynamic space. I have known him since our days together at Vermont Studio  in Johnson Vermont and his work has always been a testimonial to the relentless pursuit of art and its ability to influence and alter the world.

 

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He is currently in residence at the nearby Josephine Sculpture Park in Frankfort, Kentucky where he is working on a variety of large metal sculptures from scrap metal gathered from local metal scrap metal yards. He has made a tremendous amount of progress this week as shown in the photographs taken at the sculpture park of his sculptures in progress.

Miguel has built sculptures all over the world for a variety of parks, interior and exterior spaces. Countries where his work is on exhibit include China, Poland, the United States, Argentina, Mexico and of course, his beloved hometown Lima, Peru.

Embracing a vigorous investigation of building materials and spatial explorations, Miguel builds sculptures that are arrestingly confident, playful and memorable.

Kentucky is honored to host Miguel as he continues his lifelong  artistic quest.

 

Jan Kirstein

 

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More to come on Miguel as he progresses on his work at the Josephine Sculpture Park, owned and directed by fellow Artist and Sculptor Melanie VanHouten.

 

Miguel’s Process

Click on photos to enlarge and see captions.

 

 

 

 

 

 

 

Thanks to Miguel Velit and Melanie VanHouten for the photos in this story.

Karen Jacobs: Remnants and Patterns


To look at the art pieces of Karen Jacobs is to experience the magic of the dance of organic movement against a stable time frame for reference. Through each window of a partial grid, one sees flickering moments captured in time. At once, the pieces reveal the moment against the continuum of time in a paradox of multiple juxtapositions. These pieces invite deep contemplation.

Jan Kirstein

 

Karen’s work is influenced by the Bokusho – “The term bokusho refers to abstract sumi-e or calligraphic drawings. My rice paper/ India ink gestures are torn, manipulated, collaged and incorporated into textured canvas paintings. ”  Karen Jacobs

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About the Art

“An ongoing interest in the linear juxtaposition of remnants and patterns has led much of my work to be classified as geometric abstraction. Organized by divisions which aren’t always precise and shapes which tend to stack and interlock, the work may remain totally abstract or venture into suggestions of landscape or other elements of nature.”

 

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“There is, perhaps, a seed of an idea when I begin but I am quickly directed by the work, answering the needs, sorting the puzzles and discovering solutions. I work with layers of thick and thin color, washed or scumbled over a textured surface. Traces are left by the pentimento of assorted mark makers and scrached or removed paint; lines are straight, curved or gestural, surfaces are wiped, dripped and spattered; all adding to an eventual sense of accumulation and the essence of time.”

 

 

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“Though most paintings are acrylic/mixed media on canvas, I often venture into other media such as oil, watercolor, encaustic and ink… in addition to other painting forms such as the structural boxes I call Pylons which may be either wall hung or free standing.”

 

 

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About the Artist

 

 

“The early years of my art education and career were pursued as possible, second to the needs of a mobile military family. A move to Washington, D.C. permitted both the time and opportunity for studies at the Maryland College of Art and Design and with outstanding local artists and teachers. My learning experience continued through both outside sources and personal exploration wherever we happened to be.”

 

 

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“From high detail realism to total abstraction, I’ve always sought my own way and allowed the work to develop independently. My preferred medium is acrylic as it allows the impulsive changes necessary to my process, but I’ve worked extensively in nearly all painting mediums from watercolor to oils and encaustics plus several original print processes.”

 

 

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“My professional career has included representation in numerous galleries from Santa Fe to D.C., New York to New Orleans, Memphis and Atlanta. I’ve competed and won awards internationally and my work is in private and corporate collections around the world. I currently live in Birmingham, Alabama.”

 

.karenjacobs.com

 

 

 

 

 

 

 

 

 

 

 

 

Collector’s Choice: Sigal Ron


 

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Sigal Ron

“I see myself as an abstract painter who enjoys freedom of expression.
However, we are all like ‘ swallows sitting on the wire of tradition,’ so from time to time I sin by creating objective art for feeling a communication with a greater public.  I adore every manifestation of visual art and enjoy crossing over and going back with the passion of a child who has gotten a new toy. I am grateful for every moment I can paint.”

Written by Zichron Jaacov Israel

 

 

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Sigal Ron is a painter who walks the fine line between completely non-objective painting and figurative painting with equal ease and grace. She  commands both sides of that artistic differentiation with prowess and inevitability.  Her non-objective paintings rush at us with volumes of hurtling textures, colors and glimmering light. Her figurative works walk with prowess all the way from realistic representation through graphic depiction to sighs of abbreviated yet essential abstractions. Her painterly touch is comprised of deft command, searing insight and relentlessly well timed orchestration. Bravo Sigal Ron! My hat is off to you!

Jan Kirstein

 

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Recent Exhibitions:

“GilArte” Gallery —Zichron Jaacov 2011

“Gam Gallery”—Tel Aviv 2011

“Gebo” Gallery—Tel Aviv 2012

International Exhibition of Art –Matera- Italy 2015

2nd International Bienalle of Art in Palermo 2014

4 International Abstract exhibition in Moscow 2015

2015 – Moscow “Gold collection of Abstract

Bienalle of Drawing Osten Museum – Skopje 2016

Museo Palazzo Farnese-International Exhibitin of Contemporary Art Juni 2016

Art for Peace- Museo Palazzo Farnese Ortona. Italy 2016

Gallery of Contemporary Art-Kazan-Russia

Juni 2016

Poligious Issues-Schiedam-Netherlands 2017

 

 

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Birds Inspire 


 

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Today is a beautiful, sunny day, and the air is warming just slightly. Looking for inspiration, I often turn to nature as a most reliable source. Today’s focus is birds and flight, representing the power of the soaring spirit, indomitable and ever uplifting. What a blessing to hear the flutters and chirps outside my window. It gives me renewed determination to appreciate and preserve our natural environment.

Starting with a selection of bird paintings by artist Paul Klee, and one to honor Paul Klee, above, we move through a variety of media and artistic approaches.

Interwoven in this feature are bird sculptures and paintings/drawings I found everywhere.   I hope you enjoy their whimsy, movement and beauty today. I hope that a focus on inspiration and hope conveys the asssurance that we are so much more than a consumer culture repleat with an eternal quest for power and domination.

 

Check  out this poem by for a riveting summation and warning of how our culture could look to outsiders from the future.  This excerpt presents a perceptive view of a predominant movement in today’s culture.

This slim book of poetry — Mary Oliver’s Red Bird contains many wonderful poems. Here are A few lines of “Of the Empire”

We will be known as a culture that feared death
and adored power, that tried to vanquish insecurity
for the few and cared little for the penury of the
many. We will be known as a culture that taught
and rewarded the amassing of things, that spoke
little if at all about the quality of life for
people (other people), for dogs, for rivers. All
the world in our eyes, they will say, was a
commodity. And they will say that this structure
was held together politically, which it was, and
they will say also that our politics was no more
than an apparatus to accommodate the feelings of
the heart, and that the heart, in those days,
was small, and hard, and full of meanness.

 

 

And yet, Art can provide a reminder that our hearts and souls are larger, more compassionate than the metallic noise and dissection surrounding us now.  Compassion, insight and courage are still valued, still appreciated, still embodied by our culture at large.

 

 

 

 

 

 

 


https://credmayne.com/2017/03/11/come-to-mama/1975-come-to-mama/

Josephine Sculpture Park in Frankfort, Kentucky


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Best Field Trip Ever! Western Hills High School Art students all agreed. The trip to Josephine Sculpture Park in Frankfort, Kentucky was the best field trip they ever went on since Junior High!

Artist and owner of the Sculpture Park, Melanie Van Houten gave a moving and insightful tour to my students, encouraging art students to do what they want in their lives, to build their lives within a box without a ceiling of restrictions.

 

 

 

 

She he started her sculpture garden after receiving her Master of Fine Arts at University of Minnesota and teaching there as a professor of sculpture for six years.  She then returned to her native home state and created this sculpture garden on the farm that was once her beloved grandmothers. Melanie spent many joyful years growing up on this farm and recalls many happy days enjoying the farm’s natural wonders.

 

 

 

Beginning from “scratch,” Melanie built her park by tirelessly writing grants, and taking small steps each year to build the beautiful park into a substantial collection of contemporary sculpture pieces from all over the country. The Park also includes a multitude of community festivals, plays, art lessons, tours, and many other community contributions throughout the year.

 

Josephine Sculpture Park is a tribute to the Creative Arts, to the Building of Community, and to the preservation and value of the earth. Frankfort is indeed very lucky to have such a rich cultural resource right in its very midst.

 

Below: A sculpture in poured iron by Melanie Van Houten made at the University of Minnesota.

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The art students from Western Hills’ Fashion Design Class give a responding thanks to Melanie Van Houten for providing such an amazing resource for expanding their Fine Arts awareness! Many thanks to Melanie Van Houten!

Written by Janis Kirstein

Collector’s Choice: Stéphane Leberloa


w<a href="http://www.leberloa.www.leberloa.frfr” target=”_blank”>ww.leberola.fr

 

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Stéphane Leberloa

The paintings, drawings and sculptures of Stephane Leberola, of France present close encounters with the bare souls of the individual. Sometimes alarmed, sometimes perplexed, sometimes dubious, yet always aware and present in the moment, Leberloa’s figures emerge directly from the collective unconscious mind to engage the viewer with convincing urgency, immediacy and insight.—Janis Kirstein

 

 

Interview with Leberola

When did you start painting?

In 2009, before I was a collector, now I am a “an artist” who would see his name on top of the poster !!! To quote my friend Ben Vautier “everything is a matter of ego.”

What techniques do you use most often?

No, I’m not a technician.

 

 

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Are there any artists that you could cite as an influence on your work?

Since the Chauvet cave, artistic creation is a perpetual issue in art history.
Certainly Influential artists have had an effect, but I’m more interested in the artistic movement and artists. Dada, the Cobra movement, the Situationists, the Bazooka, free representation … very large artistic adventures that haunt me.
Arthur Rimbaud said he had to be of its time otherwise die.
The influence is very XX century with mostly masterpieces–the urinal by Marcel Duchamp, “Guernica” by Pablo Picasso, “Riding with Death” of Jean-Michel Basquiat.
I fear that the XXI century is that of pathos or bling. Fortunately there is still outsider art.

 

 

 

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What are your future projects?

Again tomorrow.

What is the experience?

A die faster.

You are what you do?

I undo what I am.

 

 

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When does a plastic work (work in progress)becomes a work of art?

At that time mysterious, interior, above all plastic creation. I do not know to explain it is a fleeting moment and that troubles me. The epitome of a work of art is where the flamenco is the duende and jazz his blue note. The rest is just sweet talk.

This work she has an independent existence outside its creator?

The work is inseparable from its creator. The artist’s DNA is in his work.

This interview of Stéphane Leberloa is taken directly from his website http://www.leberloa

KIRSTEINFINEART would like to thank Stéphane Leberloa for sharing his art work and interview with us today. For more exciting, insightful features on some of today’s very best contemporary artists working today, subscribe to KIRSTEINFINEART by clicking on the subscribe button at the bottom of the page. Thanks so much.

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