Paintings in Memory of the Homeless


I share a studio with two other artists in Louisville Kentucky. We just recently had a very sad encounter with reality in the form of a homeless man who lingered constantly around our studio door. The story around this man unfolded in a series of tragic vinyetts leaving us all with a renewed awareness of the fact that the problems facing the homeless are, in fact, everyone’s problem.




 





Just posted! Latest Paintings by Janis Kirstein






These paintings and more can be purchased at https://kirsteinfineart.myshopify.com




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Nancy Hillis: Unleashing Your Creativity


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www.nancyhillis.com

 

Beneath the surface of these paintings by Nancy Hillis, there lies a secret key to unlocking the viewer’s subconscious mind. Just try gazing at these works and see what happens. For me, these images  ignited the emergence of a new rush of positive dreams, I realized when I woke up the following morning.  I hadn’t dreamed like that for many years. In fact, I had become virtually unable to remember my dreams upon waking.  For me, it would seem that these paintings acted upon my mind as a catalyst for igniting the subconscious mind.

Janis Kirstein

 

 

Invitation to The Artist’s Journey

“I have been an existential psychiatrist and artist for over 20 years and through this work I have learned that the secret to creating expressively alive paintings is by trusting yourself. My vision and the work of my life in art and psychiatry is helping others to trust themselves and to create meaningful lives through their work. Take the plunge and start on your own path towards making the work of your life. Show us what you love!”

Nancy Hillis

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“The art of activating the canvas and bringing your painting to life with your own personal lexicon of mark making, expressive gestures and brushwork is nothing short of miraculous.

To create authentic and alive abstract paintings that are unique to you and your own vision is the ultimate attainment for an artist and yet the most elusive.

One issue is that you can get stuck repeating what’s worked before in your work. Another issue is trying to recreate what you love about other artists’ work.

I’ve found myself in both situations. When I finished my residency in psychiatry at Stanford I became fascinated with abstract painting. I felt that it was a mirror into the artist’s inner world, a potent and unique personal expression of the artist.”

 

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“I loved attending museums and galleries that featured abstract artists, in particular abstract expressionist work. I admired the museum exhibitions with works of Cy Twombley, Joan Mitchell and Helen Frankenthaler. I’d feel excited to go home and try to create paintings as raw, immediate and expressive as theirs! I wanted to paint works that astonished me. I wanted my art to mean something.”

I wanted to breathe life into my paintings

“The day I finished my residency in psychiatry I started creating abstract paintings. I didn’t know what I was doing but I’ve come to learn that this is a good thing. Saying this brings to mind the book Zen Mind, Beginner’s Mind where Shunryu Suzuki said “In the beginner’s mind there are many possibilities, but in the expert’s there are few.” Cultivating an open mind and maintaining the teachable spirit of a beginner is a potent practice for artists at every stage of development.”

Being An Artist Is About ‘Not Knowing’

“One of the things I’ve learned on this journey is that being an artist is about continually evolving. It’s about searching and finding your way as you create. It’s about experimentation.”

 

In this video, Nancy explains the benefits of specific steps in painting for allowing  the development of an open mind.

 

 

 

 

 

 

 

Collector’s Choice: Hyunmee Lee


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Hyunmee Lee’s paintings deliver a punch and a whisper, all within a complete sentence of harmony and stabilization.  Space and form balance in a delicate dialogue of opposites, yet the connections feel completely inevitable and preordained, as though this image is, will be, and has always been just so as you see it, indelibly existing forever and now, simultaneously.

Jan Kirstein

 

 

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ARTIST STATEMENT
My art practice crosses three continents over two decades. The works consider the images and ideas that mark my journey into the spiritual and cultural dimensions of painting as a creative activity. During a period when I have carried adventurous journeys across several different social and geographic divides, I began to search deeper for an understanding of who I am, and where I am. My paintings started to explore the idea of self as the most fundamental element of human nature; I tried to seek my identity as I examined human nature.

 

 

 

 

 

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In 1961 Hyunmee Lee was born in Seoul Korea, where she grew up practicing Western Modern art with experience in Eastern painting and calligraphy. Her art practice crosses three continents over two decades.

1985 Lee graduated Hong-Ik University majoring in painting. At the end of that year, she moved to Australia. She stayed there for six years and achieved two post graduate degrees. 1989 she exhibited in her first commercial gallery, Bonython-Meodemore Gallery, Sydney. At the same time, her work was exposed through a contemporary art book (Art Four).

1991 Hyunmee Lee earned a Master of Arts in Visual Arts (MFA) at the Sydney College of Arts, University of Sydney and returned to Korea. She lived in Korea for seven years. There she taught in Hong-Ik University as a lecturer and exhibited in solo shows in major art galleries and art fairs in Seoul.

1997 Lee came to Utah, U.S.A. where she continuously taught in universities and built up her art career. 2001 She became a faculty member of Utah Valley University. 2002 Lee had her first solo show in America, called Mountain Armatures, at the Woodbury Art Museum in Orem, Utah. 2006 She showed her large scale work in the Utah Museum of Fine Arts, Intimacy Without Restraint. 2008 After achieving tenure, she retired from teaching and more fully concentrated on her art. She is currently working with U.S.A galleries.

 

 

 

 

 

 

 

 

Collector’s Choice: Miriana Savova


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The fierce, windswept paintings of Miriana Savova capture the challenges facing the human spirit, and invite the viewer to enter each painting and follow a glowing flame of hope, glimpsed through layers of textured pigment.

Janis Kirstein

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Abstract painter Miriana embraces the most heroic challenges of survival for the artist in an undaunted spiritual quest to create and illuminate and to bring light from the darkness.

Jan Kirstein

 

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IMG_1418MIriana Savova is an artist from Sophia, Bulgaria, and her works can be seen on Facebook.

 

 

 

 

 

Photographs of Gary A. Bibb


 

 

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Abstract Art

The rich legacy of abstract/non-objective/non-referential art has, at times, been pushed aside, discarded or deemed irrelevant by “cultural dictators” who believe these art forms are antiquated, exhausted or insignificantly decorative. On the contrary, abstract based art is the most universal of all visual languages and the most liberated/liberating artistic expression for both artist and audience.

https://garyabibbart.wordpress.com

 

Kirk Varnedoe, art historian and former Curator of the Museum of Modern Art, commented in Pictures of Nothing (one of his epic published works) – “Abstract art has been with us in one form or another for almost a century now, and has proved to be not only a long-standing crux of cultural debate, but a self-renewing, vital tradition of creativity.” He continues, “This is one of abstraction’s singular qualities, the form of enrichment and alteration of experience denied to the fixed mimesis of known things.” Furthermore, he adds, “… the development of abstraction in the last fifty years suggests … a tradition of invention and interpretation that has become exceptionally refined and intricate.”

 

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“… painting in general and abstract painting in particular, rather than being exhausted by what has come before, can in fact be nurtured by the astonishing array of references now available. The potential sources of inspiration are myriad, perhaps unfathomable. The complexity, density, and diversity of art give ample reason to understand why abstract painting has not dried up or withered away.” Gary Garrels, Curator of the Hammer Museum.

 

 

In summation, perhaps artist Arshile Gorky said it most succinctly, “Abstraction allows man to see with his mind what he cannot physically see with his eyes…. Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind … an exploration into unknown areas.”

 

 

 

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Gary A. Bibb was born in Wichita, Kansas and studied architecture at Kansas State University but discovered art to be more compelling. He received his BFA in Visual Art from Emporia State University (Kansas). Most of his artistic career has been lived in Colorado and Southern California. He currently resides in Denver, Colorado.

 

 

 

Collector’s Choice: Fran Skiles


 

IMG_1344Lyrical and sensitive, Fran Skiles’ paintings bring a peace of mind and a clarity of life fulfilling purpose to a world filled much too often with confusion and disruption. I invite you to meditate upon the paintings of Fran Skiles for a calming yet deep state of mind.

Jan Kirstein

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www..FranSkiles.com

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Hudson River Valley Art Workshops:

http://www.fiberartworkshops.com/fiber-art-workshop-instructors/fran_skiles.htm

Paper Collage by Fran Skiles

Oct. 15 – 21, 2017

Medium: Mixed Media

Level: All Levels

5-Day Studio Class

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Collector’s Choice: Marie Bortolotto


 

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“I am a visual artist with a Bachelor of Fine Arts degree from NSCAD University, Halifax, Canada. Currently I live on the west coast of Canada. My mixed media paintings and drawings are explorations into the fundamental language of nature. My approach is process driven, rooted in imagination, emotion and intuition, revealing a language deeper than words: patterns, textures, mark making, symbols, shapes, lines and gestures which map a passage through time.”

Marie Bortolotto

 

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The grace and natural movements in these organic drawings/paintings by Marie Bortolotto creates symphonies of mysterious earth toned layers.  Envelopes of delicate washes fold across bold texture,  with images emerging forward as if directly from the subconscious mind. Markings move through and across the page as if rising  from a seemingly random evolution, yet each movement on paper forms a delicate balance with all other markings and layers evoked in each work.

Jan Kirstein

 

 

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