Latest Works of Jan Kirstein


Primarily a painter, my creative process combines a mixture of media and collage, including acrylic, pastel, colored pencil & Photoshop, Sumi-E Ink and Japanese Rice paper. 

 

 

 

Sumi E Ink and Japanese Rice Paper 4 small

“The Great Horse Race”  by Janis Kirstein

 

I love making these collages. Action painting is my joy for more than 30 years and continues to this day, today, with Sumi-E ink and a haiki brush. I add Japanese rice paper torn scraps, and combine a variety of media including paint, watercolor, graphite, ink, colored pencil, even glitter, all to make a free flowing capture of the creative energy that surrounds me at any given moment. All this has somehow landed on a stretched canvas diptych measuring 32″ in width and 20″ in height. Right now I am creating this series of paintings in my basement. Well actually, RIGHT NOW I am telling you about me doing it! Clarification. I will be continuing this process upon completing this epistle and I will keep you updated on my progress!

 

 

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To achieve the atmospheric abstraction seen in my work, I especially make use of transparent layering. The scale of my pieces can range from my use of the Nano image to images of outer space. My canvases and paper works range in size from small ,5″ x 6″, to medium 20″ x 32″ to large 4′ x 8.’That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver. It’s much like being able to see all dimensions of reality within one gaze.
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I invite all of you to join in my creative parade and journey. Get front row seats and join me in this exhilarating endeavor! Thanks for joining me! I love having you come with me by coming to my new website on Patreon.

Here you will have the opportunity to make a small financial donation to help sustain my creative endeavor. You can make a pledge and receive all kinds of various goodies and discounts as a reward for your patronage. I am still compiling my list of rewards and placing them on the website, so check back in a few days to see additional rewards that will be added.

 

 

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Close up view. Collage by Janis Kirstein

I greatly appreciate and value your contribution  to my journey as a creative artist. With your generous support, via my new membership with Patreon. If you wish to follow and participate in my ever expanding creative road of discovery you can make a small donation of support on my Patreon website here. With your help, we can ride this creative journey together! Thanks so much!

Jan Kirstein

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Why do’t you check out the latest fashion updates on Kirsteinfineart fashion here.

 

 

 

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Third Eye Chakra Racerback Dress

 

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The Painting Journey Continues


Our painting Journey Continues with Nancy Hillis’ Studio Journey online abstract painting workshop. Her assignments help free up your expressive inspirations through exploration and self confidence. Growth emerges through experimentation. My own personal journey has opened up possibilities far beyond what I faced even weeks ago. Thanks Nancy!

Painting in a Series

Paintings in Memory of the Homeless


I share a studio with two other artists in Louisville Kentucky. We just recently had a very sad encounter with reality in the form of a homeless man who lingered constantly around our studio door. The story around this man unfolded in a series of tragic vinyetts leaving us all with a renewed awareness of the fact that the problems facing the homeless are, in fact, everyone’s problem.




 





Just posted! Latest Paintings by Janis Kirstein






These paintings and more can be purchased at https://kirsteinfineart.myshopify.com




Canal Cheong-Jagerroos: Field of Dreams


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Canal Cheong-Jagerroos’ paintings combine the best of Eastern and Western cultural perspectives to present paintings rich in surface, sensitivity and sensibility. Some of her paintings are created on rolls of rice paper and some hang from the wall in a scroll motif, extending down to and across the floor in a continuing flow of tactile viscerility.   References to Eastern calligraphy combine symbology, characters and scroll format with Western influences of the freedoms inherent in abstract expressionism to envelop the viewer in an ocean of texture, shape, movement and tactile presence.

Jan Kirstein


Canal Cheong-Jagerroos (b.1968) is a Chinese contemporary visual artist who grew up in an artistic family in Macau. She currently lives and works between Helsinki, Nice and Berlin.

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Canal Cheong-Jagerroos has since lived and worked for 25 years in numerous countries from Asia to Europe and Africa before settling with her family in Finland. The unique experience of having lived in such culturally diverse cities and countries, namely; Hong Kong, Shanghai, France, Switzerland, Italy, Africa and Finland has influenced her work greatly. Therefore, whether as consciously or subconsciously, these exceptional cultural experiences have shaped Canal’s later works. Canal has discovered that walking the line between the east and west, facing different cultures, can be both constructive and destructive, but always inspirational.


In 1992, Canal began working in Chinese freehand style brush-strokes inspired by Chinese ancient abstract great master Bada Shenren’s (1626—1705) and influenced by her mentor Laozi (530 BC), a contemporary of Confucius during the 5th century BCE. This has motivated her shift of focus to ancient Chinese symbols and combining them with modern daily elements to extract the utopianism world. In the process of this exploration——through tearing, destroying, separating or even inadvertently trampling on the rice paper on which the artist has already painted, she was then overlapping layers and layers of the paintings with Xuan paper on the canvas. The whole creation process is fully involved with construction, deconstruction, and reconstruct. By using multiple layers of rice paper, acrylic, ink, traditional Chinese pigments and ready made objects which are incorporated together, the artist makes it possible to derive a sense of depth on canvas.; again, by blending ancient Chinese motifs and modern elements, she integrates the past with the present through symbolic creations that depict the peace and harmony of a Utopian world.


Canal Cheong-Jagerroos has won international recognition and acclaim for her unique works of fusing ancient Chinese motifs and contemporary elements. She has enjoyed considerable success over the last 20 years with over 50 worldwide solo and selected exhibitions to her credit. Her artworks have been represented in numerous prestige galleries in Switzerland, France, Italy, Sweden, Finland, Macau, Hong Kong, Africa and she was included in the 55th Venice Biennale in 2013. The majority of Canal’s works are in public and private collections worldwide.

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Canal Cheong-Jagerroos is the co-founder of the ongoing ‘Blue and Red Art project,’ which will be holding exhibitions in numerous museums in China and Finland from 2018 – 2020.

Upcoming Exhibitions:
2017 LA Art Show, Los Angeles, USA
2017 Art Palm Beach, Florida, USA
2017 Art Boca Raton, Florida, USA
2017 Artist In Residency, Beijing, China
2017 ‘Waking / 苏醒’ Solo Exhibition, Being 3 Gallery, Beijing, China
2017 Art Southampton, NY, USA
2017 Finlayson Art Centre, B&RAP, Finland
2017 Basel Art Center, B&RAP, Basel, Switzerland
2018 Xian Art Museum, Xian, B&RAP, China

www.canaljagerroos.com

Nava Waxman as Shape Shifter


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Nava Waxman gracefully dances the fine interstitial line between becoming and being. She captures the manifestation of painting as a performance of the human spirit made manifest in paint.

Jan Kirstein

 

Written by Nikos Kount Littérateur

Untitled Wall is Nava Waxman’s interdisciplinary work, featuring a series of studio performances, from her extensive archive material spanning over the past three years to the more recent pieces.
It is an organic and visceral practice, as she is dealing with the concepts of metaphors and allegories which construct her performances and her ongoing research on how to portray situations that are comprised of various elements such as painting, objects, space and her body gestures.

 

 

 

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Her work does not acquiesce in an obvious self- representation and beyond her perspective as the creator with the physical presence in the process, she does not consider her oeuvre as completely autobiographical.
Waxman’s aesthetics are referential and by the use of classic art media in combination with New ones, she transform her ideas into a ritualistic Theatre. She conserves in her editing process a continuation of things past gone and of things yet to come. The essence of these junctions and additions influences how each of her artistic materials and techniques relates to each other. Thinking within the framework of object-making, her dilemma and principal focus is how to form an Image both expressively and critically charged while engaging with concepts around experience and representation.

 

 

Nava Waxman addresses and questions the traditional method of painting and whilst she deconstructs it, at the same time raises the task of painting to a coalescence of references; from the research and study of Art History to the factual and mythological and other fields such as Literature and Music.
The core of her practice and performances resides in the task of painting on her studio wall. The Wall has been painted over and over again with ephemeral paintings that resonate with the fluid time and space. Traces of paint, lines and faded images are there so as to be merged into something new. Her methods of painting transform the Wall into a Live Ephemeral Palimpsest that constantly changes. The narration of this exhibition is multileveled and concentric.

 

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The context of examining the relationship between performance and visual art lies in the origin of the vast documentations material, since from the very beginning she used photography in order to capture the creation of the artwork as an Art as well. It is a celebratory continuous discovery and illumination of the action after its genesis. The combination of Technics and Time or as Roland Barthes wrote: A sort of umbilical cord links the body of the photographed thing to my gaze: “light though impalpable, is here a carnal medium, a skin I share with anyone who has been photographed.”
The transitory nature and duration of the imagery coincides with her evolution as a painter. She is aware of the fact that the produced work will only last for a limited period of time. Capturing the random, the magical, the thoughts and the feelings made this wholeness tangible. In a way it is a struggle; Painting versus Painted.
These works assemble and at the same time epitomize this ever changing act of looking and most importantly her Solitary monologues, which have only ever taken place in the privacy and isolation of her studio. This exhibition marks the public nature and premiere of these series.

 

 

According to Nava, Life is an accumulative formation and this resonates with her painted wall or the covered up paintings. The Untitled Wall stands as a monument of Now, where time, space and feelings are interconnected and the way we perceive the momentum or the future is eminently affixed to our retention of the past.
The photographic sequences are offering an access to the artist’s inspirations and how they are transformed into a perpetual reminiscence of the collective memory. The associations and the situations established through her performances allow an open and unconditional platform for the beholder to experience.

 

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“In this modern era when everything has existed in the past, images are disposable and the meanings misinterpreted, Nava Waxman’s endeavor is to question these circumstances and reconstruct the [ definition of ] Vision.”

Written by Nikos Kount Littérateur

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Nava Waxman is a Toronto-based artist whose work ranges from drawing, painting, and objects to performance and photography.
Born in Israel (1974), she studied painting and drawing at the Toronto School Of Art and received her BA in social science and communications from Open University in Tel-Aviv.
Nava has exhibited in national and international shows and her work has been featured in numerous publications and is held in public and private collections.
She has been the recipient of the Canada Council of the art Travel grant as well as the Exhibition Assistance Grant from the Ontario Art Council. She lives and works in Toronto.

 

Collector’s Choice: Sigal Ron


 

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Sigal Ron

“I see myself as an abstract painter who enjoys freedom of expression.
However, we are all like ‘ swallows sitting on the wire of tradition,’ so from time to time I sin by creating objective art for feeling a communication with a greater public.  I adore every manifestation of visual art and enjoy crossing over and going back with the passion of a child who has gotten a new toy. I am grateful for every moment I can paint.”

Written by Zichron Jaacov Israel

 

 

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Sigal Ron is a painter who walks the fine line between completely non-objective painting and figurative painting with equal ease and grace. She  commands both sides of that artistic differentiation with prowess and inevitability.  Her non-objective paintings rush at us with volumes of hurtling textures, colors and glimmering light. Her figurative works walk with prowess all the way from realistic representation through graphic depiction to sighs of abbreviated yet essential abstractions. Her painterly touch is comprised of deft command, searing insight and relentlessly well timed orchestration. Bravo Sigal Ron! My hat is off to you!

Jan Kirstein

 

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Recent Exhibitions:

“GilArte” Gallery —Zichron Jaacov 2011

“Gam Gallery”—Tel Aviv 2011

“Gebo” Gallery—Tel Aviv 2012

International Exhibition of Art –Matera- Italy 2015

2nd International Bienalle of Art in Palermo 2014

4 International Abstract exhibition in Moscow 2015

2015 – Moscow “Gold collection of Abstract

Bienalle of Drawing Osten Museum – Skopje 2016

Museo Palazzo Farnese-International Exhibitin of Contemporary Art Juni 2016

Art for Peace- Museo Palazzo Farnese Ortona. Italy 2016

Gallery of Contemporary Art-Kazan-Russia

Juni 2016

Poligious Issues-Schiedam-Netherlands 2017

 

 

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Collector’s Choice: Jean Michel Basquiat


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QUICK FACTS

NAME
Jean-Michel Basquiat
OCCUPATION
Painter
BIRTH DATE
December 22, 1960
DEATH DATE
August 12, 1988
PLACE OF BIRTH
Brooklyn, New York
PLACE OF DEATH
New York, New York
NICKNAME
“SAMO”

Jean-Michel Basquiat was a Neo-Expressionist painter in the 1980s. He is best known for his primitive style and his collaboration with pop artist Andy Warhol.

Synopsis

Jean-Michel Basquiat was born on December 22, 1960, in Brooklyn, New York. He first attracted attention for his graffiti under the name “SAMO” in New York City. He sold sweatshirts and postcards featuring his artwork on the streets before his painting career took off. He collaborated with Andy Warhol in the mid-1980s, which resulted in a show of their work. Basquiat died on August 12, 1988, in New York City.

 

Early Years

Artist Jean-Michel Basquiat was born in Brooklyn, New York, on December 22, 1960. With a Haitian-American father and a Puerto Rican mother, Basquiat’s diverse cultural heritage was one of his many sources of inspiration.

A self-taught artist, Basquiat began drawing at an early age on sheets of paper his father, an accountant, brought home from the office. As he delved deeper into his creative side, his mother strongly encouraged to pursue artistic talents.

Basquiat first attracted attention for his graffiti in New York City in the late 1970s, under the name “SAMO.” Working with a close friend, he tagged subway trains and Manhattan buildings with cryptic aphorisms.

In 1977, Basquiat quit high school a year before he was slated to graduate. To make ends meet, he sold sweatshirts and postcards featuring his artwork on the streets of his native New York.

Commercial Success

Three years of struggle gave way to fame in 1980, when his work was featured in a group show. His work and style received critical acclaim for the fusion of words, symbols, stick figures, and animals. Soon, his paintings came to be adored by an art loving public that had no problem paying as much as $50,000 for a Basquiat original.

His rise coincided with the emergence of a new art movement, Neo-Expressionism, ushering in a wave of new, young and experimental artists that included Julian Schnabel and Susan Rothenberg.

In the mid 1980s, Basquiat collaborated with famed pop artist Andy Warhol, which resulted in a show of their work that featured a series of corporate logos and cartoon characters.

On his own, Basquiat continued to exhibit around the country and the world. In 1986, he traveled to Africa for a show in Abidjan, Ivory Coast. That same year, the 25-year-old exhibited nearly 60 paintings at the Kestner-Gesellschaft Gallery in Hanover, Germany—becoming the youngest artist to ever showcase his work there.

Personal Problems

As his popularity soared, so did Basquiat’s personal problems. By the mid-1980s, friends became increasingly concerned by his excessive drug use. He became paranoid and isolated himself from the world around him for long stretches. Desperate to kick a heroin addiction, he left New York for Hawaii in 1988, returning a few months later and claiming to be sober.

Sadly, he wasn’t. Basquiat died of a drug overdose on August 12, 1988, in New York City. He was 27 years old. Although his art career was brief, Jean-Michel Basquiat has been credited with bringing the African-American and Latino experience in the elite art world.

Jean-Michel Basquiat Biography
Author

Biography.com Editors
Website Name

http://www.biography.com/people/jean-michel-basquiat-185851