“None of us can escape the habit of projecting thoughts and concepts onto reality itself…” Artist Hildy Maze
I never get tired of looking at collages by Hildy Maze, a painter working from her Long Island art studio. What an inspiration! Just the right touch of shape, color and texture to bring about a change of consciousness.
Do not be deceived by the seemly random marks and sporadic pigment impacts upon the page. These statements of line and color are the essential dynamics of a well orchestrated capture of life’s very essence.
Folded, bent, pushed, scraped, painted, drawn, pressed, mashed, turned, twisted, toppled and compressed, these paintings have been through it. The process exposes the revelation, much as a lifetime journey reveals the core ideas, to those who are seeking.
Accidental markings merge with bold intentions from the artist to express a state of mind both fleeting and lingering.
Embrace the state of mind and then let it go.
This is what happens when you are home, sick with a bad ear infection, cotton stuffed in your ear, asking everyone over and over: “Huh? What?” and taking a heap of antibiotics, and having to use $170.00 ear drops. My eardrum almost ruptured but it DID NOT. For all you kiddos at school: You better be doing the lesson plans I sent. And for my principals: Yes I will make up my missed faculty meeting! Don’t you worry. Now on to the real reason for this post:
Mixed media collage on stretched canvas. 2018. Jan Kirstein
I would like to propose an art exhibit of my most recent art work for a space yet to be determined. I have been writing and featuring artists on my website for over two years, and I chose to do so because I love your work. So where do you show? Who wants to show your work? Please let me know because I am currently looking for a venue to exhibit my own art work and I would greatly appreciate any resources or suggestions you may be able to suggest..
I am a fine artist , a painter based in Louisville, KY. and have been working here as an artist for over 35 years. If anyone knows of or can suggest any way, place, exhibition space or show that might be open to exhibiting my work or willing to show this work, please let me know.
While I am looking for an exhibition space or gallery, I would also be happy to show in any group show as well or even be considered for commission work. My paintings are collage on canvas, with sumi e ink and a variety of drawing materials. I have a brief artist statement and a few of the works I would like to show. I figured, who better to help me out with this delima than my own readers, and all the artists I have featured in my blog? Thanks so much for all your ideas, thoughts and suggestions to help me out here!. You can contact me at firstname.lastname@example.org.
My goal is to continue my painting and as you probably already know, I need a studio. I work in my basement now, but I would like a room with heat and without flooding every time it rains. This has been my goal for many years now, but I have not been able to exhibit my work for many years, especially even in my own home town . I am open to showing anywhere and of course would love to sell or get commissions. I have applied to over 30 opportunities this year, with all rejections and want to break this cycle. The rejection letters are all written so much alike they are all running together into a blur and I am beginning to be unable to tell them apart!
I was really passionate about using my collage designs on fashions that I have created and these are located here: https://shop.kirsteinfineart.com. I love doing this stuff, but it ends up being a tad more expensive than I like due to the fact that the items are printed to individual order. Wish I could charge less.
When I was a high school student years ago in Louisville, I can remember how easy it was to make cash flow with my art. All I had to do was paint rocks and take them to Dee’s Consignment shop. Or set up a booth with the St. James Art Fair and draw caricatures. I still remember all the artists who were exhibiting at the St. James show back then. Many of these artists were quite successful but I remember one of them committed suicide as the years went on. Back when I was young I could not understand why artists would do that in their 60’s. And this particular artist was one who’s work I really admired.
The Great Horse Race. Mixed media on stretched canvas. 2018.
I want to continue painting, but I need to paint for someone besides myself in a space for making art. I want my art to help someone remember how it feels to be fully alive, to remind them that life is always moving, always changing, always in flux and that the coincidences are really all significant synchronicities.
My creative process combines a mixture of media and collage, including acrylic, pastel, colored pencil & Photoshop, Sumi-E Ink and Japanese Rice paper. My canvases and paper works are for sale and range in size from small ,5″ x 6″, to medium 20″ x 32″ to large 4′ x 8.’ I also create fashion pieces from the paintings I create. To see more of these items, check out my website: https://kirsteinfineart.com.
I love making collages. Action painting is my joy for more than 30 years and continues to this day, today, with Sumi-E ink and a haiki brush. I add Japanese rice paper torn scraps, and combine a variety of media including paint, watercolor, graphite, ink, colored pencil, even glitter, all to make a free flowing capture of the creative energy that surrounds me at any given moment.. Right now I am creating this series of paintings in my basement. I will be continuing this process.
To achieve the atmospheric abstraction seen in my work, I especially make use of transparent layering. The scale of my pieces can range from my use of the Nano image to images of outer space. My canvases and paper works range in size from small ,5″ x 6″, to medium 20″ x 32″ to large 4′ x 8.’That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver. It’s much like being able to see all dimensions of reality within one gaze.
I love all of you that have followed to the end of this quest and thank you so much for sharing your thoughts with me. I hope that I hear from you through comments or email. Wishing you a good day today and a happy weekend coming up.
PAINTINGS BY ABDELLAH EL HAITOUT, MOROCCO
” I quote from Paul Auster and I say: You find the painting where you work on it; that is the adventure. I love the challenge of collage, and the possibilities that are opened up in front of me, the work of the torn paper, crumpled or ripped and glued up piece of paper. Additionally, I like the intimate act. The superposition of different material and paint highlight the theme of concealment and transparency with mixed media like acrylic, ink and pens…
UNTITLED. 100 X 80 MIXED MEDIA ON CANVAS 2015
I add the necessities of drawing and graphics, I also meditate at length the nature and I try to learn more. I try to be as simple as I can, I like this movement on the surfaces of doors and walls, and I like to pass on my painting.
Inspiration is everywhere, and the artist must start from what is local to transcend it, travelling beyond and reaching what is global and universal. Like Naguib Mahfouz, one must start from “where I am.” The Urban scenery is a rich material that I exploit. A contemporary artist must draw on contemporary subjects.
IN THE STUDIO
Technical capability should guide the artist in the development of his work, pleasant warmth or a wild and sour chilliness. These elements are reminder of my childhood, which I spent in an open air. There, I learned to become familiar with the surroundings and tried to tame the wildness of this space. In my later works, I’ve chosen to intervene on pre-worked supports, fully or partially, like calendars, catalogs, or collage of paper and cardboard paper trying to go beyond what has already been created ».
ABDELLAH EL HAITOUT ,SALÉ (MOROCCO), 2016
ABDELLAH EL HAITOUT IS A SIGNIFICANT ABSTRACT PAINTER WHO IS CURRENTLY CREATING WORKS OF GREAT NOTE. HIS ENERGETIC ORGANIC SHAPES AND TEXTURES COLLIDE WITH EXUBERANCE AND DEPTH IN AN OCEAN OF LAYERS OF CASCADING PAINT.
Here’s Miguel Velit, in triumph before the sculpture he completed at the beginning of August at Josephine Sculpture Park in Frankfort, Kentucky where he was a guest artist.
Miguel Velit is a Sculptor from Lima, Peru. His sculptures include a whimsical but powerful exploration of dynamic space. I have known him since our days together at Vermont Studio in Johnson Vermont and his work has always been a testimonial to the relentless pursuit of art and its ability to influence and alter the world.
This Summer, he was in residence at the nearby Josephine Sculpture Park in Frankfort, Kentucky as a guest artist where he was working on a variety of large metal sculptures from scrap metal gathered from local metal scrap metal yards. He has completed his sculpture and I have included photos of the results.
Miguel has built sculptures all over the world for a variety of parks, interior and exterior spaces. Countries where his work is on exhibit include China, Poland, the United States, Argentina, Mexico and of course, his beloved hometown Lima, Peru.
Embracing a vigorous investigation of building materials and spatial explorations, Miguel builds sculptures that are arrestingly confident, playful and memorable.
Kentucky was honored to host Miguel as he continues his lifelong artistic quest.
Primarily a painter, my creative process combines a mixture of media and collage, including acrylic, pastel, colored pencil & Photoshop, Sumi-E Ink and Japanese Rice paper.
“The Great Horse Race” by Janis Kirstein
I love making these collages. Action painting is my joy for more than 30 years and continues to this day, today, with Sumi-E ink and a haiki brush. I add Japanese rice paper torn scraps, and combine a variety of media including paint, watercolor, graphite, ink, colored pencil, even glitter, all to make a free flowing capture of the creative energy that surrounds me at any given moment. All this has somehow landed on a stretched canvas diptych measuring 32″ in width and 20″ in height. Right now I am creating this series of paintings in my basement. Well actually, RIGHT NOW I am telling you about me doing it! Clarification. I will be continuing this process upon completing this epistle and I will keep you updated on my progress!
Here you will have the opportunity to make a small financial donation to help sustain my creative endeavor. You can make a pledge and receive all kinds of various goodies and discounts as a reward for your patronage. I am still compiling my list of rewards and placing them on the website, so check back in a few days to see additional rewards that will be added.
Close up view. Collage by Janis Kirstein
I greatly appreciate and value your contribution to my journey as a creative artist. With your generous support, via my new membership with Patreon. If you wish to follow and participate in my ever expanding creative road of discovery you can make a small donation of support on my Patreon website here. With your help, we can ride this creative journey together! Thanks so much!
Why do’t you check out the latest fashion updates on Kirsteinfineart fashion here.
Third Eye Chakra Racerback Dress
Half our dayes wee passe in the shadowe of the earth, and the brother of death exacteth a third part of our lives.
(Thomas Browne, On Dreams)
…night after night, with calm incuriousness we open the door into that ghostly underworld, and hold insane revels with fantastic spectres, weep burning tears for empty griefs, babble with foolish laughter at witless jests, stain our souls with useless crime, or fly with freezing blood from the grasp of an unnamed dread ; and, with the morning, saunter serenely back from these wild adventures into the warm precincts of the cheerful day, unmoved, unstartled, and forgetting.
(Elizabeth Bisland, Dreams and their Mysteries)
Dreams have long proved a fertile ground for human creativity and expression, and no less so than in the visual arts, giving rise to some of its most arresting images. In addition to the many and varied dreams so important to religion and myth there has emerged, in the last few centuries since the birth of Romanticism, an exploration of the more personal dream-world. Indeed, with its link to the unconscious, the form has perhaps proved the perfect vehicle for those artists looking to surface that which lies submerged – desire, guilt, fear, ambition – to bring to light the truth the waking mind keeps hid.
No doubt, also, artists have been attracted to the challenge of giving form to something so visually intangible as a dream, a challenge taken up in many ways through the centuries. More often than not there appears the sleeping body itself, with the dream element incorporated in a variety of ways. Common is for the dream sequence to appear in a totally separate part of the image, as if projected on the walls of the sleeping mind: often in the midst of that familiar floating cloud, but also as emerging from nearby objects or events of the day (see the Toyokuni image below) . Also common, particularly in the depiction of nightmares, is for the figures of the dream to simply appear as though in the room with the sleeper, often directly upon the body itself (see the Fuseli below). With the advent of photography, and the potential of double exposures, we see also a different way of trying to capture that intangibility of the dream image. With both the Grandville and Redon images featured, and the work of the Surrealists they anticipate, we see a different approach entirely, one which looks past the sleeper to focus solely on the imagery of the dream itself, and in the process perhaps giving a more true impression of the strangeness and otherworldliness which so often characterises the dream experience.