Going Large: Collage on Canvas


In my art studio, space is limited, and there is just barely room for this latest 4 foot by 8 foot canvas. I love working in large scale. I won’t give it up for anything, though I still find making small 14″ x 11″ collages on paper and unstretched canvas a way to grow as a painter daily by leaps and bounds.

Jan Kirstein

“The Fall of Western Civilization,” by Jan Kirstein. 4′ x 8.’ Mixed media on canvas. 2019

“The Fall of Western Civilization” Details

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Detail: “The Fall of Western Civilization.”

The title of this work comes from the general shift of virtually everything I see around me on every level, in government, both Federal and State, in institutions, in relationships, in land, in all aspects of our culture, in all aspects of life. Though with the changes comes movement and flexibility with new connections occurring at a most rapid pace.

Jan Kirstein

Collage: An Intimate Act


 

PAINTINGS BY ABDELLAH EL HAITOUT, MOROCCO

https://abdellahelhaitout.wordpress.com/

” I quote from Paul Auster and I say: You find the painting where you work on it; that is the adventure. I love the challenge of collage, and the possibilities that are opened up in front of me, the work of the torn paper, crumpled or ripped and glued up piece of paper. Additionally, I like the intimate act. The superposition of different material and paint highlight the theme of concealment and transparency with mixed media like acrylic, ink and pens…

 

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UNTITLED. 100 X 80 MIXED MEDIA ON CANVAS 2015

 

I add the necessities of drawing and graphics, I also meditate at length the nature and I try to learn more. I try to be as simple as I can, I like this movement on the surfaces of doors and walls, and I like to pass on my painting.

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Inspiration is everywhere, and the artist must start from what is local to transcend it, travelling beyond and reaching what is global and universal. Like Naguib Mahfouz, one must start from “where I am.” The Urban scenery is a rich material that I exploit. A contemporary artist must draw on contemporary subjects.

 

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Technical capability should guide the artist in the development of his work, pleasant warmth or a wild and sour chilliness. These elements are reminder of my childhood, which I spent in an open air. There, I learned to become familiar with the surroundings and tried to tame the wildness of this space. In my later works, I’ve chosen to intervene on pre-worked supports, fully or partially, like calendars, catalogs, or collage of paper and cardboard paper trying to go beyond what has already been created ».

ABDELLAH EL HAITOUT ,SALÉ (MOROCCO), 2016

 

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ABDELLAH EL HAITOUT IS A SIGNIFICANT ABSTRACT PAINTER WHO IS CURRENTLY CREATING WORKS OF GREAT NOTE. HIS ENERGETIC ORGANIC SHAPES AND TEXTURES COLLIDE WITH EXUBERANCE AND DEPTH IN AN OCEAN OF LAYERS OF CASCADING PAINT.
JAN KIRSTEIN

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True Inspiration: Helen Frankenthaler


 

To honor and support the Women’s March in Washington D.C. this week, I am would like to give tribute to some of my fav painters who have inspired me for a lifetime. Today it’s Helen Frankenthaler.

 

 

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Helen Frankenthaler, Europa, 1957, Oil on unsized, unprimed canvas, 70 x 54 1/2 x 2 inches (177.8 x 138.43 x 5.08 cm) © 2016 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York.
Abstract Expressionism
Royal Academy of Arts
September 24, 2016 – January 2, 2017
This long-awaited exhibition reveals the full breadth of a movement that will forever be associated with the boundless creative energy of 1950s New York.

Traveling to:
Guggenheim Museum Bilbao, Spain
February 03, 2017 – June 04, 2017

 

Hartung and Lyrical Painters
Fonds Hélène & Édouard Leclerc pour la Culture, Landerneau, France
December 11, 2016 – April 17, 2017
The exhibition positions the work of Hans Hartung with artists of the 1950’s such as Georges Mathieu, Gérard Schneider, Hantaï, and international artists from subsequent decades, including Helen Frankenthaler.

 

Women of Abstract Expressionism
The Mint Museum, Charlotte, NC
October 22, 2016 – January 22, 2017
The groundbreaking exhibition Women of Abstract Expressionism celebrates the often unknown female artists of this mid-twentieth century art movement.

Traveling to:
Palm Springs Art Museum, CA
February 18, 2017 – May 28, 2017

Originated:
Denver Art Museum, CO
June 12 – September 25, 2016

 

 

 

 

 

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A Little Plug for my Justice Collection by Janis Kirstein. To see more click here.

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Collector’s Choice: Helen Frankenthaler


“Jacob’s Ladder” by Helen Frankenthaler

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Although this painting shares a name with the biblical tale of Jacob’s dreamed ascent toward heaven, and also with an ancient Egyptian toy, Frankenthaler insisted this work had no illustrational intention: “The picture developed (bit by bit while I was working on it) into shapes symbolic of an exuberant figure and ladder, therefore Jacob’s Ladder.

Working in New York in the 1950s, Frankenthaler painted large-scale unprimed canvases on the floor to explore new ways of handling distinctively thinned paint. The artist said she borrowed from Jackson Pollock her “concern with line, fluid line, calligraphy, and … experiments with line not as line but as shape.”

 

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Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Wikipedia
Died: December 27, 2011, Darien, CT
Spouse: Stephen M. DuBrul Jr. (m. 1994–2011), Robert Motherwell (m. 1958–1971)
Periods: Lyrical abstraction, Post-painterly abstraction, Color Field, Modern art, Abstract expressionism