Make a Statement


 

Statement Masks 25% OFF LIMITED TIME OFFER. https://shop.kirsteinfineart.com and go to Statement Masks Collection.

❤ Why follow an ocean of bland white face masks?  Speak your truth with your own beautifully designed statement face mask.

When I first began seeing the COVID19 sweeping across the globe, I noticed that country after country showed oceans of people wearing uniform white masks (when they weren’t practicing social distancing or in quarantine). I was kind of curious as to what kind of face parafernalia our people of the U.S.A. would come up with. I just knew Americans would come up with everything from outrageous to hilarious, and they surely have. This is not to say that I am not also deeply aware of the suffering and strife involved in the COVID19 Pandemic which is truly sad indeed. But American originality and thinking outside the box has not failed us in this situation.

True to form, our resourceful Americans came up with every kind of face contraption you could imagine. I saw a post on Facebook where someone had taken photos of all the hilarious mask get-ups people around in our country had assembled for themselves. There was the photo of someone strapping an athletic shoe to their face, their nose and mouth pressed into the shoe interior and the outer tread of the shoe sole facing the menacing virus.

Then in another post I saw someone with an umbrella strapped to their shoulders and a large transparent plastic bag draped from it’s opened coverage. Or there’s the one of a birthday party hat strapped to the face, point out to the world and round hat rim covering the mouth and nose.

So I began to wonder what other kinds of innovations would emerge in mask design here in the U.S.A. And of course I wanted to try the challenge myself, which you can see displayed in my new mask collection.

The first part people don’t like about wearing a mask is that it covers their mouth and nose. While the purpose of the mask requires this, I resolved to have my masks make a statement of uplifting hope to allow people to voice their statement and to provide a counterbalance to all the fear and despair many are feeling at this time.

 

I chose flowers as emblems of the feminine goddesses of love, peace, nature and beauty. These designs are all taken from flowers from my yard this Spring. The Iris were planted last Fall when a dear friend of mine retired from professional Iris gardening and gave me my choice of bulbs from her great Iris collection. I can’t wait for the next bloom so I can photograph it and create another mask design. I am also making other items as well as you can see on KIRSTEINFINEART.

And I also wanted the mask to make a statement. That way, even though the mouth is covered, you are still showing your voice.

This special collection of KIRSTEINFINEART face masks comes in a variety of statement designs on your choice of cotton, lycra or spandex. or other These dust-proof masks will protect you from dust, bacteria, pollution, allergies, cold, viral flu, fog and danger, industrial emission, vehicle exhaust, passive smoking, etc.

 😁  These masks are NOT N95 grade masks and are for ordinary everyday wear only.  

25% OFF ALL MASKS LIMITED TIME OFFER-MAY11. AT KIRSTEINFINEART. Code MASKUP!

 

Dress from The Iris Collection.

Any questions for me? Any kind of mask you’d like to see? Maybe a different flower? Or color? Let me know in the comments below!

MoonArk will be a Philosophical Mini-Museum, Left on the Moon for Future Explorers to Discover


“I am so grateful to have pieces of my Nano Image based art included in the MoonArk!”–Fine Artist Jan Kirstein

To See this Story on CNN go HERE.

(CNN) – Earth is giving a gift to the moon that will land on the lunar surface next year.

The nine-ounce MoonArk — a tiny time capsule-esque artifact of humanity — will be attached to a small lunar rover. This is in the hopes that one day it may be picked up by lunar explorers — hundreds or thousands of years in the future.

The MoonArk was designed to capture humanity’s view of Earth, the moon, the space between the two, and the greater universe. Fittingly, these complex narratives are shared through various types of art — not unlike the way ancient humans left their mark on Earth for us to understand the past.

It’s not a traditional time capsule because it’s not organized chronologically and doesn’t encapsulate everything a future human or other species would need to know. That would be impossible. But the MoonArk team has achieved their own kind of impossible feat over the course of 10 long, determined years. They have turned a vision into a reality that will sit on lunar soil.

MoonArk will hitch a ride with with a new lunar rover set to launch next year. Originally known as the Moon Arts Project, MoonArk was designed in response to the 2007 Google Lunar XPRIZE competition. The competition and its $30 million prize expired in 2018 when teams around the globe failed to land a robotic spacecraft on the moon.

But the Andy lunar rover — developed by William “Red” Whittaker, a Carnegie Mellon University professor and director of the Field Robotics Center — is go for launch in 2021. The tiny rover will be one of the first American robots to explore the moon’s surface and transmit video back to Earth.

Astrobotic’s Peregrine lander will deliver the rover to the near side of the moon, landing by the Lake of Death. This region contains a large scientifically intriguing pit that the rover can image. Whittaker co-founded Astrobotics, a Carnegie Mellon spin-off company that plans to send payloads to the moon and eventually elsewhere.

Astrobotic’s Peregrine lander will deliver the rover to the near side of the moon, landing by the Lake of Death. This region contains a large scientifically intriguing pit that the rover can image. Whittaker co-founded Astrobotics, a Carnegie Mellon spin-off company that plans to send payloads to the moon and eventually elsewhere.

The rover will drive at a few centimeters per second and its major capabilities include autonomously choosing where to go, taking pictures, calling home and staying out of trouble, Whittaker said.

Andy and the MoonArk will part ways after the rover releases its cultural payload and leaves it behind to explore the Lake of Death. For MoonArk, it’s just the beginning.

“It is about the size of a shoebox with four wheels, and it is ultra lightweight, with a camera in forward and rear,” Whittaker said. “MoonArk is attached underneath the deck of the lander, like a skirt that protrudes from the body. Our approach is to attach it underneath that lander deck and when the time comes to release it and have it float to the ground. That’s never been done before.

Inside the ark

Lowry Burgess, NASA space artist and professor emeritus at the Carnegie Mellon University School of Art, came up with the original concept for MoonArk.

Burgess, along with Carnegie Mellon faculty members Mark Baskinger, Matt Zywica, Dylan Vitone and James Madison University professor Mark Rooker, have been on a journey together ever since. They’re not just creators of the MoonArk, but caregivers as well.

Initially driven by determining factors like weight, scale and cost, the project took on a greater purpose.

“We had a larger narrative in mind,” said Baskinger, project co-lead and associate professor at CMU’s School of Design. “We thought about ‘What does it mean to be human?’ ‘What are the elements and dimensions of being human?’ ‘And how does the moon factor into that?’ “

The fundamentals of living on Earth and seeing space through human eyes are there, arranged in a stack of small chambers representing Earth, the moon and various regions of space.

They decided on four chambers, starting with Earth at the bottom, followed by the metasphere where our communications satellites exist, then the moon chamber and finally, the ether chamber exploring the “more existential and abstract conceptions of the universe beyond what we know.”

The team wanted to create a literal context for humanity, showcasing humans as they are today on Earth, how the moon has acted as our muse for art and the ether above it all, causing us to ponder where we are in the grand scheme of things.

The chambers are each only about two inches in both height and diameter. But each one contains a nanoscale world within, including hundreds of examples of poetry, music, sounds, drawing, symbols, dance, art, artifacts and tiny samples.

Each chamber is the result of collaborating with a team of 60 people and more than 250 artists, scientists, designers and educators.

The inventory contained within is long and varied, a mix of concrete and abstract.

The team wanted to create a literal context for humanity, showcasing humans as they are today on Earth, how the moon has acted as our muse for art and the ether above it all, causing us to ponder where we are in the grand scheme of things.

The chambers are each only about two inches in both height and diameter. But each one contains a nanoscale world within, including hundreds of examples of poetry, music, sounds, drawing, symbols, dance, art, artifacts and tiny samples.

Each chamber is the result of collaborating with a team of 60 people and more than 250 artists, scientists, designers and educators.The inventory contained within is long and varied, a mix of concrete and abstract.Mesmerizing cosmic artworks honor history’s unsung female astronomers

Songs are laser-etched on disks alongside perfume to evoke the idea of moving through a city and catching fragments of music. There are impossibly tiny samples of plankton, ocean water, flower pollen and resin. Multiple languages and translations share slices of the varied cultures found across Earth.

There’s a stunning visual of the FOXP2 genome structure, the gene that allows songbirds to make songs and humans to put words in order, said Dylan Vitone, professor of photography at CMU. The “out of Africa” concept explaining the spread of humanity is given a modern update, showing the light population and density over Egypt. It represents the growth of light and electrification to show the spread of humanity from the fertile crescent

Smartphone messages sent between Vitone and his wife over the course of five years reveal how humans express affection through images.In the moon chamber, there are artistic tributes: the representation of a ballet composed in honor of the moon, 108 poems to the moon across the years and 9,000 drawings people wanted to send to the moon.

When Baskinger found out one of his friends was going to Hawaii, he asked him to bring back a sandwich bag of sand. For two weeks, he sifted through the sand under a microscope, picking out shells and organism structures. They reflect the various microscosms on Earth in contrast to the human scale.

One ring contains infinities, combinations of things that are represented in one tiny item. Burgess put together the “metal of metals” by taking all of the metals from the periodic table, melting them down and fusing them together.

Each chamber includes murals representative of the theme, designed to degrade over time on the moon’s harsh surface and reveal other details. The ether chamber ends with a musical score and an image of the Andromeda galaxy, which our galaxy will collide with in about four billion years.

The MoonArk wasn’t designed to capture the doomsday aspect of humanity ending, however. You won’t find any seed catalogs or an upload of Wikipedia entries.

It’s not reflective of politics or current affairs. Instead, like a miniature museum, MoonArk was designed to be timeless and open to interpretation.

“The world is divisive,” Baskinger said. “This cuts through all of that artifice and touches on fundamental and core aspects of humanity. What does it mean to be a human in this experience that we can look at an object and begin to see a reflection of ourselves in, and not one that aligns with any particular mold or model? It’s a a very raw mirror. It’s not our voice we’re trying to project, but the result of an organic process of cooperation and collaboration with people in 18 countries.”

Creating a gift for to the future

The MoonArk itself is a testament to technology and design, pushing the limits of what’s possible now to create an object for the future.

Platinum-engraved sapphire disks, nano sculptures, millimeter-sized silicon chips and metal murals are enclosed in an elaborate exoskeleton.”It’s a cutting-edge object in so many ways, like bleeding-edge technology,” Zywica said. “It involved 3D printing and the machining of wafer-thin sapphire disks that really pushed our capacity.”

Rooker, a metalsmith professor, was in charge of the final assembly. He controlled the process of engraving the various disks down to the nanometer.

“He worked tirelessly to make this a beautiful object tipped in diamonds and gold,” Vitone said. “It has the elegance of a Faberge egg.

So we can leave behind a gift that’s functional and beautiful.”The object is both lightweight and strong, built to last on the moon.

There’s a twin copy of the MoonArk that will remain on Earth, touring as an exhibit so people can interact with it.

This is a Nano Based Image created by Fine Artist Janis Kirstein. Images like these by her will be included in the Moon Ark. Why don’t you plan a trip to go see?

Commission a Painting for Your Living Space


You won’t believe how your space can come alive with original paintings and prints. Sometimes it helps to see a piece on the wall. Here are a few breathtaking shots of original paintings in specific spaces. Take a look around.
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The canvas in the front on the right is an acrylic painting on stretched canvas by Jan Kirstein. “Shifting Energy Fields” is 4′ x 5.’ The painting in the adjacent room is also by Jan Kirstein and is a collage on paper.

 

“Kaboom” giclee print on archival paper or stretched canvas. To see more about this piece go here.







This is a smaller piece of art by Jan Kirstein enlarged into a giclee print on stretched canvas. Maybe you have a special place you would like to bring to life: your bedroom, your living room or dining room. There is nothing like a painting to breath joy and life into a living or office space. If you would like to find out more about painting commissions, if you have any questions about how to get started, feel free to email me, the artist, Jan Kirstein here.

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Giclee print on stretched canvas.

A Week’s Work (Or Play, I Should Say)


I have been talking with people a little bit about showing my work in a variety of possible venues. One woman I spoke with said, “Well to show in a gallery you have to have more than a couple of pieces.”

She obviously doesn’t know me. (Yet.) Here is this week’s work! 

Photographing the Work.

It is much harder to photograph this stuff than to paint it. I have discovered that my cell phone takes better photos than my Nikon 35 milimeter SLR Digital camera. And my cell phone is not even high end. It’s a smart phone but rather cheesy, I thought.

The photos below are taken by my cell phone.

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Mixed media collage by Jan Kirstein. 11″ x 14.” Summer, 2019.

But the cell phone captures higher detail, better color, and is higher resolution. I have an app on my phone I use called “Camera.” How creative. Anyway, it apparently bumps up the quality quite a bit from my bare smartphone camera, which is really pretty close in quality. My cell phone is an LG Cricket. (I go cheap whenever I can. )

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Mixed media collage by Jan Kirstein. 11″ x 14.” 2019.
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Mixed media collage by Jan Kirstein. 11″ x 14.” 2019.
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Mixed media collage by Jan Kirstein. 11″ x 14.” 2019.
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