Miguel Velit and His Completed Sculpture


 

 

Here’s Miguel Velit, in triumph before the sculpture he completed  at the beginning of August at Josephine Sculpture Park in Frankfort, Kentucky where he was a guest artist.

 

 

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Miguel Velit is a Sculptor from Lima, Peru. His sculptures include a whimsical but powerful exploration of dynamic space. I have known him since our days together at Vermont Studio  in Johnson Vermont and his work has always been a testimonial to the relentless pursuit of art and its ability to influence and alter the world.

 

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This Summer, he was  in residence at the nearby Josephine Sculpture Park in Frankfort, Kentucky as a guest artist where he was working on a variety of large metal sculptures from scrap metal gathered from local metal scrap metal yards. He has completed his sculpture and I have included photos of the results.

 

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Miguel has built sculptures all over the world for a variety of parks, interior and exterior spaces. Countries where his work is on exhibit include China, Poland, the United States, Argentina, Mexico and of course, his beloved hometown Lima, Peru.

 

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Embracing a vigorous investigation of building materials and spatial explorations, Miguel builds sculptures that are arrestingly confident, playful and memorable.

 

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Kentucky was honored to host Miguel as he continues his lifelong  artistic quest.

 

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Collector’s Choice: Joan Snyder


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“The functions of Ms. Snyder’s art, first and foremost, are to further the tradition of painting and to explore the most serious aspects of the human condition; to connect us not only to one another and to nature but to ancient rites and myths. She reminds us that no matter how modern and civilized we are, art can still be raw, primitive and talismanic. Without apologies or decorum, Ms. Snyder’s work awakens all of the things still wild within us.” – Lance Esplund, WS

 

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Joan Snyder, (born April 16, 1940), is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow.
Snyder first gained public attention in the early 1970s with her gestural and elegant “stroke paintings,” which used the grid to deconstruct and retell the story of abstract painting. By the late seventies, Snyder had abandoned the formality of the grid. She began more explicitly incorporating symbols and text, as the paintings took on a more complex materiality. These early works were included in the 1973 and 1981 Whitney Biennials and the 1975 Corcoran Biennial.

 

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Joan Snyder was born on April 16, 1940 in Highland Park, New Jersey. She received her AB from Douglass College in 1962 and her MFA from Rutgers University-New Brunswick in 1966.

In 1969 Snyder married photographer Larry Fink. She gave birth to their daughter, Molly, in 1979. Her grandson Elijah was born in 2012. In 2011 Snyder married her partner of 28 year, Margaret Cammer, a retired New York State Acting Supreme Court Judge and the former NY Deputy Administrative Judge of The New York City Civil Court.

Snyder currently lives and works in Brooklyn and Woodstock, NY. She is represented by Franklin Parrasch Gallery in New York, NY, Parrasch Heijnen Gallery in Los Angeles, CA, and Elena Zang Gallery in Woodstock, NY.

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For inspiration of the creative spirit:  KIRSTEINFINEART.COM

Collector’s Choice: Josette Urso


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Josette Urso

About painting

Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves “moment-to-moment” extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways.

 

For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living.

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