Miguel Velit and His Completed Sculpture


 

 

Here’s Miguel Velit, in triumph before the sculpture he completed  at the beginning of August at Josephine Sculpture Park in Frankfort, Kentucky where he was a guest artist.

 

 

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Miguel Velit is a Sculptor from Lima, Peru. His sculptures include a whimsical but powerful exploration of dynamic space. I have known him since our days together at Vermont Studio  in Johnson Vermont and his work has always been a testimonial to the relentless pursuit of art and its ability to influence and alter the world.

 

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This Summer, he was  in residence at the nearby Josephine Sculpture Park in Frankfort, Kentucky as a guest artist where he was working on a variety of large metal sculptures from scrap metal gathered from local metal scrap metal yards. He has completed his sculpture and I have included photos of the results.

 

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Miguel has built sculptures all over the world for a variety of parks, interior and exterior spaces. Countries where his work is on exhibit include China, Poland, the United States, Argentina, Mexico and of course, his beloved hometown Lima, Peru.

 

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Embracing a vigorous investigation of building materials and spatial explorations, Miguel builds sculptures that are arrestingly confident, playful and memorable.

 

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Kentucky was honored to host Miguel as he continues his lifelong  artistic quest.

 

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Hildy Maze Makes Mind Moves


Light Space & Time Online Art Gallery is very pleased to announce that Hildy Maze has been selected as one of the four artists of the gallery’s recent eighth “Solo Art Series” Art Competition.

 

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Hildy will now have a month-long solo art exhibition and she will be featured on the gallery’s front page, in the Gallery’s YouTube Channel, as well as in the “Solo Art Series” archive. See links below to access.

 

Artist Biography:

Hildy Maze is an American artist with Turkish, Russian, Austrian heritage. Born in Brooklyn, NY she received a BFA from Pratt Institute. For years, Hildy lived and worked in her loft in Tribeca, NYC before moving to East Hampton, NY where she currently works and lives.

Hildy is best known for her abstract contemplative oil on paper drawing, painting collages. In her messy paradise, which is her studio, Hildy explores mind and identity. Though her process of collage and the handling of materials she intimately describes how our active mind creates collages of thoughts and patterns, as in a dream. If we examine our thoughts, we can see they are fragmented pieces, empty of solidity. “None of us can avoid thoughts” she says, “but through awareness of our pitfalls, beauty, strengths, and weaknesses we can open windows into the mind”. The core of her contemplative art practice is to visually embody the blind spots as a result of our thoughts.

She is interested in the study of how the mind works as a means of gaining insight into how we communicate, how we create identity through form, emotions, and consciousness, and how we hide in that creation. She explains that essentially this work is about all of us and the empty, clear and unconditional nature of the mind we all have. When we know the nature of our mind we will know the nature of our world.

Hildy’s work is influenced by her long-time study and practice of Tibetan Buddhist meditation with Chogyam Trungpa Rinpoche. Her studio floor is covered with a vast tapestry of painted paper—ripped, aged, and often walked on for days or months. This, she says allows the process and rhythm of art-making to come more alive with spontaneity and unpredictability. Her work has a rugged, earthy, hands-on, living quality. The treatment of the paper lends to it an inherent living quality. Depending on the passing of time and light, it takes on various characteristics and a quality of accelerated impermanence as the paper ages and becomes fragile, not unlike those things we search for and cherish in an attic or basement, or even at an archeological site, or when retrieving a lost memory. An otherwise ordinary, insignificant quality becomes special. A fingerprint, wrinkle, rip, drip, or tear becomes texture and language. These abstract contemplative works were developed with the view that art has the capacity to infuse our experience with awareness of our inherent nature, and, along with their carefully chosen titles, invite viewers to move beyond the boundaries of the image into a more contemplative consideration of mind in relationship to the phenomena of what we consider objective reality.

An additional activity that informs Hildy’s work is her familiar, family-like relationship with a colony of Herring and Great Black-Backed Gulls she’s been feeding hard-boiled eggs to for 20 years at Maidstone Beach Bay. She says, “We know each other well, perching on my head and shoulders, surrounding me as if protecting the bounty they know I have for them. This ritual is filled with a sense of an intimacy with wildness. I’ve learned who is mated to who, each gull’s idiosyncrasies, who their chicks are, when they arrive at the bay in August, how they physically change from white to speckled depending on the mating cycle and season’s light and so much more”. Eventually, she would like to develop an installation called “lover of the open sky” based on this relationship with the gulls.

Hildy has exhibited her work throughout the U.S. including NYC, Long Island City, Brooklyn, California, and Beijing, China. She has won numerous awards and is in several private collections in the U.S, Europe and Asia.

Hildy lives in East Hampton, NY continuing with her study and practice of meditation, making art, and feeding the gulls whenever the weather allows.

 

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Artist Statement:

Years ago, a friend sent me the Prajnaparamita, known as the Heart Sutra based on realizing the non-conceptual simplicity of reality, “form is emptiness, emptiness is form”. Having a heightened interest about how mind works and how mind is, reading the Heart Sutra changed my life on the spot! Within a week I was practicing and studying Tibetan Buddhist meditation with Chogyam Trungpa Rinpoche, a Tibetan Buddhist meditation master and artist. I received ‘pointing out instructions’ from him which brings the investigation and recognition of mind’s flawless nature into personal experience cutting through conceptual obscurations that are our endless, dualistic thoughts and emotions.

My abstract contemplative work is completely informed by these realizations. My path of making visual images became the inner structure of mind and how its’ patterns of confusion obscure our recognition of this vast space of ceaseless energy. For ten years I studied and practiced meditation with Trungpa Rinpoche until his death in1987. Since that time my work has gone through a process of increased familiarity with how mind works and how to present that familiarity thru visual images.

The development of each piece is experiential using collaged drawing and painting on paper with disparate techniques and specific titles discussing how mind, when active, creates collages of emotional thought patterns, like in a dream. The images are intended to be intimate, yet not isolated since the activity of mind is the same for everyone yet personal because each of us is affected by our thoughts and emotions differently. The work is unrefined with an immediate, handmade, unprepared quality, working with the ordinary characteristics of the paper meaning rips, wrinkles, aging, fragile-ness and light sensitivity. A sense of impermanence representing our life progression.

My process is filled with discovery and surprise, playing an edge within myself with deliberateness and imperfection without conceptualization, trusting mind’s innate clarity. For me, oil on paper collage is the most responsive way to investigate the mind. Whether awake or dreaming, mind is like a collage, appearing as countless variations of thoughts and images, as an over-lapping unfinished aesthetic that embraces the unresolved, open-ended imperfections of living. Viewing mind and collage this way contributes to the hands-on realness of intimacy and immediacy of seemingly non-sequitur abstraction with a touch of representational expression.

 

I recall instructions from Trungpa Rinpoche, ‘art arises from a deep merging of mind and heart, seeing from within, drawing from pure awareness without visually grasping, beginning from uncertainty without reference point’. Drawing freely without visual judgment; spontaneous and personal, I use tools and techniques that are intimate and varied, anything that can make a mark with controlled spontaneity. I would like the images and titles to create an accessible, personal space, like hearing a familiar voice. The images can be viewed as individually framed pieces, or informally, closer to how they were made, simply pinned to the wall, or randomly together similar to how our thoughts arise, dwell and dissolve in a seemingly continuous, often unrelated stream. .

Essentially I view my work as an evolving inquiry. I continue to live, make art, and to study the principles of Buddhist contemplative philosophy, a pursuit not unlike cleaning the dust off the windows in a house in order to see the world and oneself more clearly and precisely, with less aggression and with more equanimity, kindness and humor. To view more of Hildy’s artworks visit her website;

 

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http://hildymaze.com

 

Check out this Fab video Presentation of Hildy’s work.

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Here are individual images of Hildy’s work.

https://www.lightspacetime.art/hildy-maze-solo-art-exhibition/

Many thanks to the Light Space Gallery for this story and images.    

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Stream of Consciousness: Creating a New Reality


Creating you own reality is an especially appealing idea to me right now, especially when so many realities around us are a carcophany of screenshots I much prefer to deleate.  So here is a sample of my alternate universe!

Here’s a close up of one of my screenshots with my book “Fantasy Animals.”


What Binge readers my stuffed animals are! And this is what happens if you let them read “Fantasy Animals” without adult supervision. Why don’t you check it out here? www.amazon.com/dp/B01LYJAGLK. These guys, up all night, acting out the parts. 

Jump on in. Find an alternate universe in the world of imagination and parable!
And for another alternate universe try shopping on my new website HERE. You never know what the world of imagination can bring you!

The World is Upside Down!


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I just wanted to alert you to my free book on Amazon. Dec 22-26 2016!  Just  just click here to get your free copy!

 

5 out of 5 stars

Reviewed By Emily-Jane Hills Orford for Readers’ Favorite

Vortex is an anteater; Scoop is a lioness. What’s unusual about the two is not that Vortex likes to count how many ants he eats each day, or that Scoop likes to measure how fast she runs because she’s the fastest runner in the jungle. What’s unusual is that Vortex the anteater and Scoop the lioness were born together, attached at the shoulder and torso. Vortex and Scoop are one, even though they’re also two different animals. And this has become a problem. While Vortex wants to eat all the ants he can, Scoop wants to run as fast as she can, so neither one is happy with how the other goes about their business. So, what do they do? Do they seek surgical separation? Or do they learn to accommodate each other and live together in harmony?

Author and artist Janis Adrian Kirstein has written a charming, fantastical story in Fantasy Animals (Volume 1), complete with her own illustrations. The story reads like a treasured parable, a storyteller’s treat that also teaches valuable lessons. In this case, the lessons to be learned are about understanding, cooperating, resolving differences, and learning to live together without conflict in spite of differences. Everyone is born different, unique, and we all must learn to respect these differences, not criticize them. Vortex and Scoop had to learn how to negotiate, how to find something good in each other, and how to make allowances for the other’s differences. These are important lessons for all of us, young and old, to learn over and over again. A great story to share many times.

 

If you read this book and feel so moved, please feel free to write a review on my Amazon author page!

 

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Hispanic Heritage Month Celebrated in Our Classrooms


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Dawn Smith’s Spanish class and my Visual Art class joined together for a week long unit on creating paintings influenced by Mexican Alebrijes this week at Western Hills High School in Frankfort, Kentucky.  Painting and creative writing combined together for a learning experience in Social Studies, Spanish and Fashion Design.

To learn Global challenges of how to resolve conflicts, students had to work in groups and combine at least 2 animals from 2 different continents. They had to paint the animals, list their conflicts, how the animals could resolve those conflicts and capture these conflict resolutions in their choice of creative writing from poetry to dialogue to narrative writing. The writing portion was inspired by the book “Fantasy Animals” by Janis Kirstein, where a South American anteater and African lion are joined together and have to learn how to get along. This book was inspired by Mexican Alebrijes from Mexico, created with bright floral patterns in the 1930’s of conglomerations of various animals all in one being.

To see lesson plans for this unit,  go to:  https://kirsteinfineart.com/2016/07/27/lesson-plan-for-fantasy-animals/

To see the book written by Janis Kirstein inspired by Alebrijes,  go to: www.amazon.com/author/janiskirstein

 

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This Painting was inspired by Mexican Alebrijes, by Janis Kirstein in Mercedes Harn’s art class this summer. This class was for a teacher Inservice given by The Academy with the Kentucky Center for the Arts, combining the teaching of Social Studies, Visual Art and Spanish Language.