A Week’s Work (Or Play, I Should Say)


I have been talking with people a little bit about showing my work in a variety of possible venues. One woman I spoke with said, “Well to show in a gallery you have to have more than a couple of pieces.”

She obviously doesn’t know me. (Yet.) Here is this week’s work! 

Photographing the Work.

It is much harder to photograph this stuff than to paint it. I have discovered that my cell phone takes better photos than my Nikon 35 milimeter SLR Digital camera. And my cell phone is not even high end. It’s a smart phone but rather cheesy, I thought.

The photos below are taken by my cell phone.

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Mixed media collage by Jan Kirstein. 11″ x 14.” Summer, 2019.

But the cell phone captures higher detail, better color, and is higher resolution. I have an app on my phone I use called “Camera.” How creative. Anyway, it apparently bumps up the quality quite a bit from my bare smartphone camera, which is really pretty close in quality. My cell phone is an LG Cricket. (I go cheap whenever I can. )

No photo description available.
Mixed media collage by Jan Kirstein. 11″ x 14.” 2019.
No photo description available.
Mixed media collage by Jan Kirstein. 11″ x 14.” 2019.
No photo description available.
Mixed media collage by Jan Kirstein. 11″ x 14.” 2019.
No photo description available.

Love These Paintings by Hildy Maze


“None of us can escape the habit of projecting thoughts and concepts onto reality itself…” Artist Hildy Maze

https://hildymaze.com

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I never get tired of looking at collages by Hildy Maze, a painter working from her Long Island art studio. What an inspiration! Just the right touch of shape, color and texture to bring about a change of consciousness.

 

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Do not be deceived by the seemly random marks and sporadic pigment impacts upon the page. These statements of line and color are the essential dynamics of a well orchestrated capture of life’s very essence.

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Folded, bent, pushed, scraped, painted, drawn, pressed, mashed, turned, twisted, toppled and compressed, these paintings have been through it. The process exposes the revelation, much as a lifetime journey reveals the core ideas, to those who are seeking.

 

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Accidental markings merge with bold intentions from the artist to express a state of mind both fleeting and lingering.

 

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Embrace the state of mind and then let it go.

 

Arturo Pacheco Lugo : A Statement of Presence


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“In the beginning of painting is a struggling soul,

thus painting is a phenomenon of the soul.

The work must redeem a passionate soul.

In a poetic image, the soul states its presence.”

G. Bachelard.

 

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To look at a painting by Lugo is like sifting through an archeological dig, moving through layer upon layer of earth.  Barely recognizable forms emerge into a conscious gestalt where meanings galvanize through the viewer’s own personal references and connections.

Jan Kirstein

 

 

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Arturo Pacheco Lugo was born in the city of Puebla, Mexico on November 12, 1961.

He studied fine arts in the workshops of painters Jose Luis Hernandez and Sando Berger during the early years of his formation as an artist.

 

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Lugo uses experimental techniques, materials and creative processes and aesthetic applications and has had numerous solo and group exhibitions throughout his artistic life.  His works are sought after by collectors worldwide.

 

 

 

 

Karen Jacobs: Remnants and Patterns


To look at the art pieces of Karen Jacobs is to experience the magic of the dance of organic movement against a stable time frame for reference. Through each window of a partial grid, one sees flickering moments captured in time. At once, the pieces reveal the moment against the continuum of time in a paradox of multiple juxtapositions. These pieces invite deep contemplation.

Jan Kirstein

 

Karen’s work is influenced by the Bokusho – “The term bokusho refers to abstract sumi-e or calligraphic drawings. My rice paper/ India ink gestures are torn, manipulated, collaged and incorporated into textured canvas paintings. ”  Karen Jacobs

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About the Art

“An ongoing interest in the linear juxtaposition of remnants and patterns has led much of my work to be classified as geometric abstraction. Organized by divisions which aren’t always precise and shapes which tend to stack and interlock, the work may remain totally abstract or venture into suggestions of landscape or other elements of nature.”

 

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“There is, perhaps, a seed of an idea when I begin but I am quickly directed by the work, answering the needs, sorting the puzzles and discovering solutions. I work with layers of thick and thin color, washed or scumbled over a textured surface. Traces are left by the pentimento of assorted mark makers and scrached or removed paint; lines are straight, curved or gestural, surfaces are wiped, dripped and spattered; all adding to an eventual sense of accumulation and the essence of time.”

 

 

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“Though most paintings are acrylic/mixed media on canvas, I often venture into other media such as oil, watercolor, encaustic and ink… in addition to other painting forms such as the structural boxes I call Pylons which may be either wall hung or free standing.”

 

 

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About the Artist

 

 

“The early years of my art education and career were pursued as possible, second to the needs of a mobile military family. A move to Washington, D.C. permitted both the time and opportunity for studies at the Maryland College of Art and Design and with outstanding local artists and teachers. My learning experience continued through both outside sources and personal exploration wherever we happened to be.”

 

 

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“From high detail realism to total abstraction, I’ve always sought my own way and allowed the work to develop independently. My preferred medium is acrylic as it allows the impulsive changes necessary to my process, but I’ve worked extensively in nearly all painting mediums from watercolor to oils and encaustics plus several original print processes.”

 

 

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“My professional career has included representation in numerous galleries from Santa Fe to D.C., New York to New Orleans, Memphis and Atlanta. I’ve competed and won awards internationally and my work is in private and corporate collections around the world. I currently live in Birmingham, Alabama.”

 

.karenjacobs.com