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MIXED MEDIA

Vignette: Janis Kirstein

 

 “Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

“Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

 

Janis Kirstein is a painter, photographer, and writer, but primarily a painter. She combines a mixture of media and collage, including acrylic, pastel, colored pencil, & Photoshop, Sumi-E Ink and Japanese Rice paper. In the work we see here, the energy is loose and spontaneous, at times nearly explosive, betraying the level of discipline required in both the composition and the technique.

 

 “The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750
“The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“I love making collages,” states Kirstein. “Action painting has been my joy for more than 30 years and continues to this day, today, using Sumi-E ink and a Haiki brush. I add torn scraps of Japanese rice paper and combine a variety of media including paint, watercolor, graphite, ink, colored pencil – even glitter, all to capture the free flowing creative energy that surrounds me at any given moment.”

“To achieve the atmospheric abstraction seen in my work, I make use of transparent layering. My canvases and paper works range in size, the scale of my pieces ranging from my use of the Nano image to images of outer space. That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver; much like being able to see all dimensions of reality within one gaze.”

Kirstein speaks of her work using cosmic nomenclature suggesting a meaningful spiritual component. Abstraction opens the mind to welcome a subjective interpretation, and it can be fascinating to imagine the range of response, yet the calculated choice made by the artist even when they are giving themselves over to the organic experience of creative expression will usually be a guide for the viewer.

 

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Hometown: Louisville, Kentucky
Education: Master of Fine Art, University of Massachusetts, Amherst, 1981;
Bachelor of Arts, University of Louisville, KY, 1977;
Indiana University Bloomington, 1973-75
Website: kirsteinfineart.com
Instagram: janiskirstein

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All artwork is copyright ©Janis Kirstein 2015. Unauthorised use and/or duplication of this material in whole or part without express and written permission from this blog’s owner is strictly prohibited. Links may be used, provided that full and clear credit is given to Janis Kirstein and http://www.kirsteinfineart.com, with appropriate and specific direction to the original content.

 

 “Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

Janis Kirstein is a painter, photographer, and writer, but primarily a painter. She combines a mixture of media and collage, including acrylic, pastel, colored pencil, & Photoshop, Sumi-E Ink and Japanese Rice paper. In the work we see here, the energy is loose and spontaneous, at times nearly explosive, betraying the level of discipline required in both the composition and the technique.

 

 “The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“I love making collages,” states Kirstein. “Action painting has been my joy for more than 30 years and continues to this day, today, using Sumi-E ink and a Haiki brush. I add torn scraps of Japanese rice paper and combine a variety of media including paint, watercolor, graphite, ink, colored pencil – even glitter, all to capture the free flowing creative energy that surrounds me at any given moment.”

“To achieve the atmospheric abstraction seen in my work, I make use of transparent layering. My canvases and paper works range in size, the scale of my pieces ranging from my use of the Nano image to images of outer space. That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver; much like being able to see all dimensions of reality within one gaze.”

Kirstein speaks of her work using cosmic nomenclature suggesting a meaningful spiritual component. Abstraction opens the mind to welcome a subjective interpretation, and it can be fascinating to imagine the range of response, yet the calculated choice made by the artist even when they are giving themselves over to the organic experience of creative expression will usually be a guide for the viewer.

 

 

 “Moment in Time” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“Moment in Time” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

 “Jungle Heat” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2017, $2000

“Jungle Heat” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2017, $2000

 “Frankfort Avenue” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2018, $2000

“Frankfort Avenue” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2018, $2000

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Love These Paintings by Hildy Maze


“None of us can escape the habit of projecting thoughts and concepts onto reality itself…” Artist Hildy Maze

https://hildymaze.com

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I never get tired of looking at collages by Hildy Maze, a painter working from her Long Island art studio. What an inspiration! Just the right touch of shape, color and texture to bring about a change of consciousness.

 

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Do not be deceived by the seemly random marks and sporadic pigment impacts upon the page. These statements of line and color are the essential dynamics of a well orchestrated capture of life’s very essence.

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Folded, bent, pushed, scraped, painted, drawn, pressed, mashed, turned, twisted, toppled and compressed, these paintings have been through it. The process exposes the revelation, much as a lifetime journey reveals the core ideas, to those who are seeking.

 

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Accidental markings merge with bold intentions from the artist to express a state of mind both fleeting and lingering.

 

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Embrace the state of mind and then let it go.

 

Efi Kokkinaki: Painting is My Language


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Fine artist Efi Kokkinaki paints a language we can all understand. The feelings that arise from her works provide a balm for the sin sick soul. A kind of innocence overlying the harsh realities of  another world combines in a way reminiscent of early works by Marc Chagall and his paintings of his little Russian village.

 

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As the eye flows through and around the soaring textures and soothing colors in Efi’s work, a sense of peace and weightlessness emerges and helps breed our belief that in fact, we have reached another dimension, a dimension we may have experienced only in a dream.

 

By Jan Kirstein, writer and visual artist

More Works by Efi

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I am a painter, an art teacher in school and I also illustrate books for children.
Painting is my language to express the world as I see it…

Efi Kokkinaki

 

Efi is an artist from Greece. Her Facebook Painting Page and Instagram are listed below.

 

paintings by Efi Kokkinaki

 

/https://www.facebook.com/Efi-Kokkinaki-142483405921300/

https://www.instagram.com/efikokkinaki/

Challenges


This is what happens when you are home, sick with a bad ear infection, cotton stuffed in your ear, asking everyone over and over: “Huh? What?” and taking a heap of antibiotics, and having to use $170.00 ear drops. My eardrum almost ruptured but it DID NOT.  For all you kiddos at school: You better be doing the lesson plans I sent. And for my principals: Yes I will make up my missed faculty meeting! Don’t you worry. Now on to the real reason for this post:

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Mixed media collage on stretched canvas. 2018. Jan Kirstein

I would like to propose an art exhibit of my most recent art work  for a space yet to be determined. I have been writing and featuring artists on my website for over two years, and I chose to do so because I love your work. So where do you show? Who wants to show your work?  Please let me know because I am currently looking for a venue to exhibit my own art work and I would greatly appreciate any resources or suggestions you may be able to suggest..

I am a fine artist , a painter based in Louisville, KY. and have been working here as an artist for over 35 years.   If anyone knows of or can suggest any way, place, exhibition space or show that might be open to exhibiting my work or willing to show this work, please let me know.

While I am looking for an exhibition space or gallery, I would also be happy to show in any group show as well or even be considered for commission work.  My paintings are collage on canvas, with sumi e ink and a variety of drawing materials.  I have a brief artist statement and a few of the works I would like to show. I figured, who better to help me out with this delima than my own readers, and all the artists I have featured in my blog? Thanks so much for all your ideas, thoughts and suggestions to help me out here!. You can contact me at janiskirstein@gmail.com. 

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Close-up view

My goal is to continue my painting and as you probably already know, I need a studio. I work in my basement now, but I would like a room with heat and without flooding every time it rains. This has been my goal for many years now, but I have not been able to exhibit my work for many years, especially even in my own home town .   I am open to showing anywhere and of course would love to sell or get commissions. I have applied to over 30 opportunities this year, with all rejections and want to break this cycle.  The rejection letters are all written so much alike they are all running together into a blur and I am beginning to be unable to tell them apart!

I was really passionate about using my collage designs on fashions that I have created and these are located here: https://shop.kirsteinfineart.com. I love doing this stuff, but it ends up being a tad more expensive than I like due to the fact that the items are printed to individual order. Wish I could charge less.

 

When I was a high school student years ago in Louisville, I can remember how easy it was to make cash flow with my art. All I had to do was paint rocks and take them to Dee’s Consignment shop. Or set up a booth with the St. James Art Fair and draw caricatures. I still remember all the artists who were exhibiting at the St. James show back then.  Many of these artists were quite successful but I remember one of them committed suicide as the years went on. Back when I was young I could not understand why artists would do that in their 60’s.  And this particular artist was one who’s work I really admired.

 

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The Great Horse Race. Mixed media on stretched canvas. 2018.

I want to continue painting, but I need to paint for someone besides myself in a space for making art.  I want my art to help someone remember how it feels to be fully alive, to remind them that life is always moving, always changing, always in flux and that the coincidences are really all significant synchronicities.

 

Artist Statement:

My creative process combines a mixture of media and collage, including acrylic, pastel, colored pencil & Photoshop, Sumi-E Ink and Japanese Rice paper. My canvases and paper works are for sale and range in size from small ,5″ x 6″, to medium 20″ x 32″ to large 4′ x 8.’ I also create fashion pieces from the paintings I create. To see more of these items, check out my website: https://kirsteinfineart.com.

 

I love making collages. Action painting is my joy for more than 30 years and continues to this day, today, with Sumi-E ink and a haiki brush. I add Japanese rice paper torn scraps, and combine a variety of media including paint, watercolor, graphite, ink, colored pencil, even glitter, all to make a free flowing capture of the creative energy that surrounds me at any given moment.. Right now I am creating this series of paintings in my basement. I will be continuing this process.

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To achieve the atmospheric abstraction seen in my work, I especially make use of transparent layering. The scale of my pieces can range from my use of the Nano image to images of outer space. My canvases and paper works range in size from small ,5″ x 6″, to medium 20″ x 32″ to large 4′ x 8.’That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver. It’s much like being able to see all dimensions of reality within one gaze.

I love all of you that have followed to the end of this quest and thank you so much for sharing your thoughts with me. I hope that I hear from you through comments or email. Wishing you a good day today and a happy weekend coming up.

 

Collage: An Intimate Act


 

PAINTINGS BY ABDELLAH EL HAITOUT, MOROCCO

https://abdellahelhaitout.wordpress.com/

” I quote from Paul Auster and I say: You find the painting where you work on it; that is the adventure. I love the challenge of collage, and the possibilities that are opened up in front of me, the work of the torn paper, crumpled or ripped and glued up piece of paper. Additionally, I like the intimate act. The superposition of different material and paint highlight the theme of concealment and transparency with mixed media like acrylic, ink and pens…

 

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UNTITLED. 100 X 80 MIXED MEDIA ON CANVAS 2015

 

I add the necessities of drawing and graphics, I also meditate at length the nature and I try to learn more. I try to be as simple as I can, I like this movement on the surfaces of doors and walls, and I like to pass on my painting.

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Inspiration is everywhere, and the artist must start from what is local to transcend it, travelling beyond and reaching what is global and universal. Like Naguib Mahfouz, one must start from “where I am.” The Urban scenery is a rich material that I exploit. A contemporary artist must draw on contemporary subjects.

 

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Technical capability should guide the artist in the development of his work, pleasant warmth or a wild and sour chilliness. These elements are reminder of my childhood, which I spent in an open air. There, I learned to become familiar with the surroundings and tried to tame the wildness of this space. In my later works, I’ve chosen to intervene on pre-worked supports, fully or partially, like calendars, catalogs, or collage of paper and cardboard paper trying to go beyond what has already been created ».

ABDELLAH EL HAITOUT ,SALÉ (MOROCCO), 2016

 

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ABDELLAH EL HAITOUT IS A SIGNIFICANT ABSTRACT PAINTER WHO IS CURRENTLY CREATING WORKS OF GREAT NOTE. HIS ENERGETIC ORGANIC SHAPES AND TEXTURES COLLIDE WITH EXUBERANCE AND DEPTH IN AN OCEAN OF LAYERS OF CASCADING PAINT.
JAN KIRSTEIN

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Nancy Hillis Dives Deep With Abstract Painting


I’m so honored to be featured in Inc. magazine this month along with 7 other amazing entrepreneurs who are making a difference in people’s lives. I have so much gratitude to my mentor Jeanine Blackwell for her loving guidance on my journey. There are angels in this life and Jeanine is one of those rare angels in mine.

The Backstory

In 2015, I had a dream.

I dreamt of guiding artists to believe in and trust themselves in their art and life. I’d been doing this work for over 20 years in existential psychiatry, and now it was time to thread it into art and creativity which had always been my secret love.

Indeed, for me, psychotherapy is about guiding a person to their most meaningful life. My big, juicy audacious dream has been to weave art and psychiatry together.

This is the work of my life.

And so, answering the call of this dream, I set off on my artist’s journey and was immediately plunged into perils.

The problem was that I didn’t know how to do what I wanted to do. I didn’t know how to create the course, I wasn’t a digital native and I had no business training.

I was starting from ground zero. I was on the path to creating something from whole cloth.

I felt like Dante in The Inferno, awakening in a dark wood where the true way was wholly lost.

Fearful and not knowing what I was doing, I went ahead anyway. I slogged through the dark forest of “not knowing” and many times felt like giving up.

I faced down my own dark night of the soul where all felt lost.

 

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Painting by Nancy Hillis

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Nancy

It was only then, in my darkest hour, that my mentor materialized. Like Seabiscuit emerging miraculously through the fog (you must read Laura Hillenbrand’s book Seabiscuit if only to experience that indelible moment when Seabiscuit emerges and understand why I’m referencing it), my mentor appeared seemingly out of thin air.

It was one of those moments in life when you find someone and you know in your bones that you were destined to meet and your life will never be the same.

My mentor and friend is the amazing Jeanine Blackwell.

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Jeanine guides entrepreneurs to bring alive their passions and expertise into the world in order to make a difference.

Jeanine is on fire with guiding others to create their most meaningful, transformational courses- their magnum opus, the courses that come from their heart, the courses that change people’s lives.

To read more of my story as well as the stories of 7 amazing entrepreneurs who are making a difference, go here to get Jeanine’s free book:http://bit.ly/2QssfG8

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Thanks to Nancy Hillis for sharing her story with us on Kirsteinfineart.

NANOART Exhibition in Greece


ART and NANOTECHNOLOGY – Molecular and Atomic Scales Sculptures and Landscapes (nanosculptures and nanolandscapes) visualized with electron microscopes. The black and white images are captured in a computer, painted and manipulated digitally. The final artworks are printed on canvas or fine art paper with archival inks specially formulated to last for a long period of time.

This is an exhibition I participated in very recently, along with photos of the opening, located in Greece.  –Jan Kirstein

Monday, October 15, 2018

The 5th International Festival of NanoArt – Heraklion, Greece

The 5th International Festival of NanoArt organized by NanoArt 21 ( http://nanoart21.org ) was hosted in September-October 2018 in Heraklion, Crete Island, Greece, by the Technological Educational Institute of Crete (TEI) in cooperation with The Hellenic Photographic Society of Crete.
The show was curated by artist/scientist Cris Orfescu (USA / Romania) founder of NanoArt 21 and artist/scientist Mirela Suchea (Romania / Greece). The previous editions of the festival were held in Finland, Germany, and two editions in Romania. The artworks authored by artists from Brazil, Canada, Germany, Greece, Netherlands, Romania, Slovenia, UK, and USA were exhibited in the Hellenic Photographic Society’s gallery.
The artworks were donated to TEI Crete to establish the second permanent gallery of NanoArt. At the show opening, a collection of aerogel sculptures by Ioannis Michaloudis was exhibited. Also, the Moon Ark, the artifact that will be landed on the surface of the Moon in 2020 and left there for good was presented by Mark Baskinger and Dylan Vitone. The Moon Ark contains the Moon Museum, the first art museum on the surface of the Moon. 93 NanoArt works authored by 50 artists from NanoArt 21 group were selected to be featured in this museum.
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